A work in constant progress (and occasional regress).
Featuring:
Paresh Rawal, Jimmy Shergill, Kim Sharma
Written by:
Raman Bharadwaj
Neeraj Vora
Directed by:
Rahul Dholakia
Release Date:
November 15, 2002
Original Title:
Kehtaa Hai Dil Baar Baar
Genres:
Comedy | Drama | Romance
Production Countries:
India
Ratings / Certifications:
N/A
Runtime: 119
Story about a self-made man in India
Ranshod Rai Patel is an egotistical and arrogant self-made Gujarati man who arrived from India and settled in the New York area years ago. He started his career cleaning latrines and dirty clothes, then moved on to working in a restaurant, saving enough money to own one, and then finally owned twelve. He became an extremely successful real-estate magnate, à la Donald Trump and was so big-headed that started calling himself THE Roger Patel. He got married to a woman named Kamla and they were soon proud parents of two lovely daughters, Namrata and Ritu. When the girls are grown, the overprotective Roger arranges a marriage for Namrata with a property owner, a professional Patel man named Prem. Ritu, a doctor, informs that she has met her soul mate also, Sunder Kapoor, who is part-Punjabi and part-Madrasi and is definitely not a Patel, nor a property owner, and not even a professional. But since Ritu likes him so much, he invites Sunder to spend seven days with his family in his palatial home. Sunder tries to impress Ritu's family, and eventually Roger allows him to marry her. Then Roger's world is turned upside down when he finds out that Sunder is married to a woman named Seema and is the stepfather to her 7-year-old son.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.