A work in constant progress (and occasional regress).
Release Date:
August 4, 2012
Original Title:
The Clash The Ultimate Review
Ratings / Certifications:
N/A
The Clash The Ultimate Review Drawing on extensive rare footage, much of it previously unavailable on DVD, this is the ultimate critical review of the music of The Clash on stage, on record and on film. Veteran film maker Don Letts heads a team of leading critics, reviewers and Clash insiders in this powerful review of the music that changed a generation. Includes rare film from The Punk Rock Movie and the 1983 US Festival, Mick Jones' last gig with The Clash. Features London Calling, Should I Stay Or Should I Go, Rock The Casbah, White Riot, Tommy Gun, Police And Thieves, Garageland, Safe European Home, Guns Of Brixton, Brand New Cadillac, The Magnificent Seven, Somebody Got Murdered, I Fought The Law, Clash City Rockers, White Man In Hammersmith Palais, Know Your Rights and more...
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.