A work in constant progress (and occasional regress).
Release Date:
March 26, 1970
Original Title:
Zabriskie Point
Alternate Titles:
Deserto de Almas
Dolina smrti
Sakyû
Ζαμπρίσκι Πόιντ
Забриски Пойнт
Забріскі Пойнт
さきゅう
無限春光在險峰
Genres:
Drama
Production Companies:
Carlo Ponti Production
Metro-Goldwyn-Mayer
Production Countries:
Italy | United States of America
Ratings / Certifications:
DE: 16 FR: TP GB: 15 IE: 15 IT: 18+ NL: 14 US: R
Runtime: 113
Anthropology student Daria, who's helping a property developer build a village in the Los Angeles desert, and dropout Mark, who's wanted by the authorities for allegedly killing a policeman during a student riot, accidentally encounter each other in Death Valley and soon begin an unrestrained romance.
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Assistant Camera:
Patrick Fennell
Sandro Tamborra
Assistant Director:
Robert Rubin
Assistant Editor:
Jim Benson
Camera Operator:
Duke Callaghan
George Gordon Nogle
Costume Design:
Ray Summers
Director:
Michelangelo Antonioni
Director of Photography:
Alfio Contini
Editor:
Franco Arcalli
Michelangelo Antonioni
Executive Producer:
Harrison Starr
First Assistant Camera:
Emillo Calori
Foley Artist:
Alvaro Gramigna
Leadman:
Matty Azzarone
Makeup Artist:
Joe McKinney
John Truwe
Original Music Composer:
Jerry Garcia
David Gilmour
Nick Mason
Richard Wright
Roger Waters
Producer:
Carlo Ponti
Production Assistant:
Sally Dennison
Production Design:
Dean Tavoularis
Recording Supervision:
Franklin Milton
Screenplay:
Tonino Guerra
Sam Shepard
Michelangelo Antonioni
Franco Rossetti
Clare Peploe
Script Supervisor:
Bonnie Prendergast
Second Assistant Camera:
Charles R. Young
Set Decoration:
George R. Nelson
Sound Effects Editor:
Fernando Caso
Sound Mixer:
Jerry Kosloff
Special Effects:
Earl McCoy
Story:
Michelangelo Antonioni
Unit Production Manager:
Don Guest
Unit Publicist:
Beverly Walker
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.