A work in constant progress (and occasional regress).
Release Date:
October 1, 1997
Original Title:
The Revolution
Genres:
Documentary
Production Companies:
Plan B Skateboards
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 35
Plan B (1997). The fourth and final installment of the Plan B fourology, The Revolution gives a timely nod to the fundamental changes the team's diverse video productions- Questionable (1992), Virtual Reality (1993), Second Hand Smoke (1994)- made in the direction of modern skateboarding. While stomping a broad and progressive path into the sport's future, each and every incarnation of the Plan B team typified real to real skateboarding, period. Over three years in the making , and well worth the wait Revolution is far the most modern of the company's video offerings in both form and content, but by no means follows the standard format of the day, choosing instead to lead the world of skateboarding to the bitter end. In order of appearance: Pat Channita, Matt Hensley, Jeremy Wray, Rick McCrank, Brian Emmers, Pat Duffy, Colin McKay, and Danny Way.
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.