A work in constant progress (and occasional regress).
Release Date:
January 13, 2010
Original Title:
Mamori
Genres:
Animation
Production Companies:
ONF | NFB
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 8
Mamori transports us into a black-and-white universe of fluid shapes, dappled and striated with shadows and light, where the texture of the visuals and of the celluloid itself have been transformed through the filmmaker’s artistry. The raw material of images and sounds was captured in the Amazon rainforest by filmmaker Karl Lemieux and avant-garde composer Francisco López, a specialist in field recordings. Re-filming the photographs on 16 mm stock, then developing the film stock itself and digitally editing the whole, Lemieux transmutes the raw images and accompanying sounds into an intense sensory experience at the outer limits of representation and abstraction. Fragmented musical phrases filter through the soundtrack, evoking in our imagination the clamour of the tropical rainforest in this remote Amazonian location called Mamori.
Administration:
Michèle Labelle
Diane Régimbald
Administrative Assistant:
Diane Ayotte
Animation:
Karl Lemieux
Cinematography:
Karl Lemieux
Compositor:
Guillaume Marin-Lafond
Digital Imaging Technician:
Susan Gourley
Pierre Plouffe
Director:
Karl Lemieux
Editor:
Mathieu Bouchard-Malo
Executive Producer:
René Chénier
Field Director:
Francisco López
Line Producer:
Francine Langdeau
Online Editor:
Françoise Laprise
Original Music Composer:
Francisco López
Producer:
Julie Roy
Sound Designer:
Francisco López
Sound Re-Recording Mixer:
Jean-Paul Vialard
Technical Supervisor:
Julie Laperriere
Title Designer:
Gaspard Gaudreau
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.