A work in constant progress (and occasional regress).
Featuring:
George Bancroft, Judith Anderson, Frances Dee
Written by:
Rowland Brown
Read Kendall
Directed by:
Rowland Brown
Release Date:
November 17, 1933
Original Title:
Blood Money
Alternate Titles:
La boule rouge
Genres:
Crime
Production Companies:
20th Century Pictures
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 65
The title refers to the business of affable, ambitious bail bondsman (and politically-connected grifter) Bill Bailey, who, in the course of his work, crosses paths with every kind of offender there is, from first-time defendants to career criminals.
Bill Bailey (George Bancroft) is a Los Angeles, California bail bondsman who lives in a world of complete, casual corruption, where all he has to do is pick up the phone to get the charges against a client dismissed. He falls in love with a slumming socialite who bluntly and startlingly declares her sexual preferences with this immortal line: "If I could find a man who would be my master and give me a good thrashing, I'd follow him around like a dog on a leash."
Art Direction:
Albert S. D'Agostino
Assistant Director:
Ben Silvey
Assistant Property Master:
Elmer Howard
Lee Marple
Associate Producer:
William Goetz
Raymond Griffith
Camera Operator:
Kenneth Green
Fred Bentley
Dialogue Coach:
James Light
Director:
Rowland Brown
Director of Photography:
James Van Trees
Editor:
Lloyd Nosler
Grip:
Jimmy Connelly
Hair Designer:
Ruby Felker
Makeup Artist:
Karl Herlinger
Music Director:
Alfred Newman
Producer:
Darryl F. Zanuck
Production Manager:
Ed Ebele
Props:
Julia Heron
Second Assistant Director:
Samuel G. Engel
Sound Mixer:
Bruce Rutherford
Stand In:
Kitty Alexander
Still Photographer:
Leo J. Hefferman
Stunts:
Ray Kilgore
Transportation Coordinator:
Oscar Wright
Wardrobe Supervisor:
Mickey Meyers
Andy Anderson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.