A work in constant progress (and occasional regress).
Release Date:
June 1, 2016
Original Title:
Me Before You
Alternate Titles:
Predtým, ako som ťa spoznala
Prin ertheis esy
Senden Önce Ben
Trước Ngày Em Đến
Yo antes de ti
世界一キライなあなたに:2016
我就要你好好的
温暖的遇见你
Genres:
Drama | Romance
Production Companies:
Metro-Goldwyn-Mayer
New Line Cinema
Sunswept Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AU: PG BE: 14 BR: 12 CA: 14A CH: 12 CZ: 15+ DE: 12 DK: A ES: 12 FI: K-12 FR: U GB: 12 GR: Κ HU: 16 IE: 12A IL: הותר לבני 12 ומעלה JP: G KR: 12 MX: B-15 NL: 12 NO: 6 PL: 16 PT: M/12 RU: 12+ SE: Btl US: PG-13
Runtime: 110
A small town girl is caught between dead-end jobs. A high-profile, successful man becomes wheelchair bound following an accident. The man decides his life is not worth living until the girl is hired for six months to be his new caretaker. Worlds apart and trapped together by circumstance, the two get off to a rocky start. But the girl becomes determined to prove to the man that life is worth living and as they embark on a series of adventures together, each finds their world changing in ways neither of them could begin to imagine.
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ADR Mixer:
Peter Gleaves
ADR Recordist:
Harry Platford
Additional Editing:
Nancy Richardson
Art Department Coordinator:
Anna Thomas
Art Direction:
Rebecca Milton
Assistant Art Director:
Lauren Briggs-Miller
Assistant Costume Designer:
Charlotte Sewell
Boom Operator:
Ben Collinson
Cableman:
Mark Elson
Camera Operator:
Ben Wilson
Casting:
Kate Dowd
Casting Associate:
Clare Harlow
Choreographer:
Drew McOnie
Construction Coordinator:
Nicky Ackland-Snow
Costume Design:
Jill Taylor
Costume Supervisor:
Gabrielle Spanswick
Dialogue Editor:
Simon Chase
Director:
Thea Sharrock
Director of Photography:
Remi Adefarasin
Editor:
John Wilson
Executive Producer:
Sue Baden-Powell
Foley Artist:
Peter Burgis
Jack Stew
Foley Editor:
Linda Brenon
Patrick Dodd
Foley Mixer:
Glen Gathard
Gaffer:
Jimmy Wilson
Hair Designer:
Fae Hammond
Hairstylist:
Emmy Beech
Gemma Richards
Key Hair Stylist:
Rachael Speke
Emanuel Millar
Lighting Technician:
Martyn Welland
Joe Knight
Billy Dunn
Line Producer:
Joan Schneider
Location Manager:
Paul Tomlinson
Makeup Artist:
Sally Crouch
Emmy Beech
Helen Miller
Gemma Richards
Rachael Speke
Makeup Designer:
Fae Hammond
Music Supervisor:
Karen Elliott
Novel:
Jojo Moyes
Original Music Composer:
Craig Armstrong
Painter:
Gerald Hewitt
Producer:
Alison Owen
Karen Rosenfelt
Production Coordinator:
Lizzie Bull
Production Design:
Andrew McAlpine
Production Sound Mixer:
Tim Fraser
Production Supervisor:
Emma Mallett
Prop Maker:
John Venables
Property Master:
Nick Thomas
Rigging Gaffer:
Ben Wilson
Screenplay:
Michael H. Weber
Scott Neustadter
Jojo Moyes
Script Supervisor:
Sue Field
Second Assistant Director:
James Manning
Set Decoration:
Sara Wan
Songs:
Jessie Ware
Sound Editor:
Sam Walsh
Sound Re-Recording Mixer:
Mike Prestwood Smith
James Mather
Special Effects Supervisor:
Hayley Williams
Standby Painter:
Mark Harris
Standby Property Master:
Phil Bull
Steadicam Operator:
Ben Wilson
Still Photographer:
Alex Bailey
Storyboard Artist:
Tony Chance
Supervising Art Director:
Nick Dent
Unit Manager:
James Buxton
Unit Production Manager:
Sue Baden-Powell
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.