A work in constant progress (and occasional regress).
Release Date:
November 4, 1974
Original Title:
Помни имя свое
Alternate Titles:
Помни имя своё
Genres:
Drama | War
Production Companies:
Mosfilm
Zespół Filmowy "Iluzjon"
Production Countries:
Poland | Soviet Union
Ratings / Certifications:
N/A
Runtime: 97
Beginning of WWII. Zinaida, a Russian woman, is taken prisoner by the Germans and sent to Auschwitz concentration camp together with several other women. She is imprisoned with her baby son, Gena, who is learning to walk and takes his first steps in the snow, in the concentration camp. They spend a few years together in the camp until they are separated, first within Auschwitz itself, then, for good, when the Germans are losing the war and decide to evacuate.
Assistant Camera:
Grigory Verkhovsky
Ryszard Wojciechowski
Assistant Costume Designer:
Ye. Manevich
Assistant Director:
Lika Averbakh
Henryk Bielski
Camera Operator:
G. Polyanok
Conductor:
Andrzej Korzyński
Costume Design:
Edit Priede
Izabella Konarzewska
Director:
Sergey Kolosov
Director of Photography:
Bogusław Lambach
Editor:
Galina Spirina
First Assistant Director:
V. Novikova
Lighting Artist:
I. Sherman
M. Kozachek
Makeup & Hair:
Natalya Baldina
Irena Czerwińska
Music Editor:
Raisa Lukina
Ewa Kacicka-Szklarzewicz
Original Music Composer:
Andrzej Korzyński
Producer:
Fabian Mogilevskiy
Stanisław Zylewicz
Production Design:
Mikhail Kartashov
Production Illustrator:
V. Sudnev
Piotr Dudzinski
Jan Hawrylkiewicz
Production Manager:
Stanisław Zylewicz
Fabian Mogilewski
Script Editor:
Boris Kremnyov
Second Assistant Director:
G. Fayman
Kazimierz Korytkowski
Sound Assistant:
Aleksandr Pogosyan
Sound Director:
Vladimir Krachkovskiy
Still Photographer:
V. Uvarov
Third Assistant Director:
M. Burakowska
VFX Director of Photography:
Grigoriy Zaytsev
VFX Supervisor:
Sergey Mukhin
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.