A work in constant progress (and occasional regress).
Release Date:
May 6, 2010
Original Title:
Survival of the Dead
Alternate Titles:
A Ilha Dos Mortos
George A. Romero's ...of the Dead
George A. Romero's Survival of the Dead
La Resistencia de los Muertos
La Resistenza dei Morti Viventi
La reencarnacion de los muertos
La resistencia de los muertos
Túlélni a holtakat
Выживание мертвецов
Genres:
Horror
Production Companies:
Blank of the Dead Productions
Devonshire Productions
New Romero
Sudden Storm Productions
Voltage Pictures
Production Countries:
Canada | United States of America
Ratings / Certifications:
AT: 16 ES: 18 FR: 16 GB: 18 IE: 18 IT: VM14 NL: 16 US: R
Runtime: 90
On a small island off the coast of Delaware, two families are locked in a struggle for power and control over the fate of the undead.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"A" Camera Operator:
Roger Finlay
"B" Camera Operator:
Keith Hlady
Armorer:
Charles Taylor
Al Vrkljan
Art Direction:
Joshu de Cartier
Assistant Art Director:
Matt Middleton
Jason Graham
Assistant Costume Designer:
Roslyn Hanchard
Assistant Hairstylist:
Sondra Treilhard
Assistant Property Master:
Mario Moreira
Assistant Sound Editor:
Rose Gregoris
Best Boy Grip:
Jason Lenoury
Boom Operator:
Pat Cassin
Jason McFarling
Camera Trainee:
Derek Hutcheon
Casting:
John Buchan
Jason Knight
Compositing Supervisor:
Eric Doiron
Costume Design:
Alex Kavanagh
Costume Supervisor:
Leslie Kavanagh
Dialogue Editor:
Jill Purdy
Digital Compositor:
Amy Daye
Ashish Dewan
Farzin Mottaghi
Geoff Wigmore
Digital Intermediate:
Lee Hughes
Cam McLauchlin
Tom Mayclim
Dave Muscat
Digital Intermediate Editor:
Motassem Younes
Digital Intermediate Producer:
Peter Armstrong
Director:
George A. Romero
Director of Photography:
Adam Swica
Dolby Consultant:
Paul Capuano
Dolly Grip:
Dave Erlichman
Editor:
Michael Doherty
Electrician:
Christopher Takacs
Mario Silva
Epk Producer:
Michael Felsher
First Assistant Camera:
Laurence Bortnick
Gottfried Pflugbeil
First Assistant Editor:
Brigitte Rabazo
Foley Artist:
John Sievert
Stefan Fraticelli
Foley Mixer:
Randy Wilson
Gaffer:
Franco Tata
Generator Operator:
John Sztejnmiler
Key Grip:
Rod Benjamin
Key Hair Stylist:
Paul R.J. Elliot
Lighting Technician:
Dave Bouskill
Location Manager:
Philip Spurvey
Makeup Department Head:
Colin Penman
Music Editor:
Charlie Finlay
Online Editor:
Pietro Gallo
Original Music Composer:
Robert Carli
Producer:
Paula Devonshire
Production Design:
Arvinder Greywal
Property Master:
James R. Murray
Screenplay:
George A. Romero
Script Supervisor:
R. Emerson John
Patricia Joyes
Second Assistant Camera:
Courtney Graham
Meredith Budgen-Starnes
Second Unit Director of Photography:
Colin Hoult
Set Decoration Buyer:
Kari Measham
Set Medic:
Lindsay Somers
Shannon Chow
Sound Effects Editor:
Stephen Barden
Sound Mixer:
Greg Chapman
Sound Re-Recording Mixer:
Alan deGraaf
John Gare
Paul Williamson
Special Effects Coordinator:
Mark Ahee
Special Effects Technician:
Aaron Dinsmore
Dirk Rogers
Still Photographer:
Michael Gibson
Stunt Coordinator:
Matt Birman
Stunts:
Angelica Lisk-Hann
Danny Lima
Title Designer:
Ara Katz
Unit Publicist:
Karen Tyrell
Visual Effects Editor:
Dipesh Mistry
Visual Effects Producer:
George Macri
Fiona McLean
Visual Effects Supervisor:
Colin Davies
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.