A work in constant progress (and occasional regress).
Release Date:
June 24, 2016
Original Title:
The Quiet Hour
Genres:
Drama | Science Fiction | Thriller
Production Companies:
Frenzy Films
Production Countries:
Ireland | United Kingdom
Ratings / Certifications:
CA: 18A DE: 12 FR: 16 GB: 15 IE: 15 PL: 16
Runtime: 85
In a remote part of rural, post-apocalyptic England, now occupied by unseen alien invaders, a feisty teenage girl sets out on a desperate attempt to fight back a group of bandits and defend her parents' farm, their remaining livestock, and the solar panels that keep them safe from extraterrestrials. If she doesn't succeed, she will lose her only source of food and shelter; if she resists, she and her helpless blind sibling will be killed.
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ADR Recordist:
Duncan Cross
Art Direction:
Zachary Denman
Boom Operator:
Vytautas Kizala
Casting:
David Fielding
Susan Head
Costume Design:
Julie Jones
Director:
Stéphanie Joalland
Director of Photography:
David Knight
Editor:
Michael Freedman
Executive Producer:
Thomas L. Carmody
First Assistant Camera:
Jackie Teboul
Kirsty Connolly
Foley Mixer:
Javier Laguna
Gaffer:
Rupert MacCarthy-Morrogh
Legal Services:
James Reggel
Makeup Artist:
Simone Wightman
Original Music Composer:
Carlos José Alvarez
Producer:
Sean McConville
Production Design:
Gerard Wallace
Script Supervisor:
Fiona Graham
Second Assistant Camera:
Tyler P. Carmody
Dominik Kosicki
Second Unit Cinematographer:
Ian D. Murphy
Set Decoration:
Leona Matuszczak
Sound Designer:
Angel Perez Grandi
Sound Mixer:
Michael Sinden
Sound Re-Recording Mixer:
Mustafa Bal
Supervising Sound Editor:
Angel Perez Grandi
Visual Effects Supervisor:
Christian Darkin
Writer:
Stéphanie Joalland
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.