A work in constant progress (and occasional regress).
Release Date:
June 10, 2014
Original Title:
The Longest Swim
Genres:
Drama
Production Companies:
FLEX-o-Lite
Production Countries:
United States of America
Ratings / Certifications:
N/A
Best buds since childhood, Ben and Matt have grown apart with age. Even when Ben is diagnosed with diabetes, Matt struggles to support his friend like he should. Then, while vacationing at the lake, Matt is awakened by screams and groans coming from Ben's bedroom. The situation is desperate: Ben is convulsing, shaking and gagging. He's gone into a diabetic seizure and with no phone or hospital nearby, Matt's only hope of saving his friend is making the swim to the closest inhabited house--on the other side of the lake.
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Additional Camera:
William Donald Kaufman
Additional Editing:
William Donald Kaufman
Additional Sound Re-Recording Mixer:
Gary Wilkins Jr.
Art Direction:
Jonathan Schroder
Nate Ohl
Assistant Editor:
Kevin Leonard
Cinematography:
Andrew Rivara
Co-Producer:
Donald Mainardi
Colorist:
Jason Howell
Director:
Andrew Bernard
Editor:
Gary Wilkins Jr.
First Assistant Camera:
William Donald Kaufman
First Assistant Director:
Will Mahr
Gaffer:
Lee Marvin Walker
Grip:
Justin Hayter
Jonathan Schroder
Key Grip:
Gary Wilkins Jr.
Legal Services:
Anita Surendran
Makeup Artist:
Angie Elwell
Music Director:
Nate Ohl
Producer:
Nate Ohl
Production Design:
Nate Ohl
Second Assistant Camera:
Nick Hernandez
Second Assistant Director:
Kevin Leonard
Second Unit Director:
Stephen Ohl
Second Unit Director of Photography:
Stephen Ohl
Sound Editor:
Kathy Lee
Siara Spreen
Sound Mixer:
Dimitri Kouri
Sound Re-Recording Mixer:
Angelo Panetta
Steadicam Operator:
Dave Isern
Still Photographer:
Kurt J. Brennan
Unit Production Manager:
Lee Marvin Walker
Writer:
Nate Ohl
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.