A work in constant progress (and occasional regress).
Release Date:
October 3, 1980
Original Title:
Non ti conosco piĆ¹ amore
Genres:
Comedy
Production Companies:
Capital Film
Production Countries:
Italy
Ratings / Certifications:
IT: T
Runtime: 102
On entering her bathroom, Luisa finds a naked man showering. She calls the police at once and the man is arrested. At the police station Alberto, a psychiatrist, recognizes the man: he is Paolo, Luisa's husband. Alberto offers to help Paolo, but when the two men arrive at his home, Paolo still in his bathrobe, Luisa hugs Alberto and calls him Paolo. The two men try everything they think of to help Luisa regain her memory until the last (but not too unexpected) surprise.
Administration:
Stefano Cialoni
Danilo Martelli
Assistant Editor:
Nadia Boggian
Raffaella Zita
Boom Operator:
Armando Janota
Camera Operator:
Ubaldo Terzano
Costume Design:
Bruna Parmesan
Director:
Sergio Corbucci
Director of Photography:
Luigi Kuveiller
Editor:
Amedeo Salfa
First Assistant Camera:
Antonio Annunziata
Marco Profeta
Aldo Bergamini
First Assistant Director:
Amanzio Todini
Gaffer:
Sergio Coletta
Hairstylist:
Elda Magnanti
Key Grip:
Sergio Emidi
Line Producer:
Luciano Luna
Makeup Artist:
Giuliano Laurenti
Original Music Composer:
Gianni Ferrio
Producer:
Vittorio Cecchi Gori
Mario Cecchi Gori
Production Design:
Marco Dentici
Production Manager:
Carlo Bartolini
Production Secretary:
Luciano Calzola
Property Master:
Nello Cappelli
Screenplay:
Jaja Fiastri
Sabatino Ciuffini
Riccardo Aragno
Cesare Frugoni
Script Supervisor:
Franca Invernizzi
Seamstress:
Clara Poggi
Giuliana Mascelloni
Second Assistant Camera:
Antonio Camarda
Set Decoration:
Mauro Passi
Sound:
Luigi Salvi
Sound Mixer:
Romano Checcacci
Still Photographer:
Francesco Bellomo
Theatre Play:
Aldo De Benedetti
Unit Manager:
Massimo Ferrero
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.