A work in constant progress (and occasional regress).
Release Date:
January 23, 2009
Original Title:
Martha of the North
Alternate Titles:
Martha qui vient du froid
Genres:
Documentary
Production Companies:
ONF | NFB
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 83
In the mid-1950s, lured by false promises of a better life, Inuit families were displaced by the Canadian government and left to their own devices in the Far North. In this icy desert realm, Martha Flaherty and her family lived through one of Canadian history’s most sombre and little-known episodes.
Additional Editor:
Nancy Gendron
Mirenda Ouellet
Administration:
Sylvie Desrosiers
Johanne Dubuc
Archival Footage Research:
Évangéline De Pas
Assistant Director:
Évangéline De Pas
Associate Producer:
Yves Bisaillon
Johanne Bergeron
Development Producer:
Stéphanie Verrier
Dialogue Editor:
Francine Poirier
Director:
Marquise Lepage
Director of Photography:
René Sioui Labelle
Editor:
Dominique Champagne
Nancy Gendron
Executive Producer:
Monique Simard
Foley Artist:
Lise Wedlock
Graphic Designer:
Dominic Audy
Philippe Raymond
Line Producer:
Isabelle Fortier
Musician:
Roger Miron
Online Editor:
Claude Collins
Original Music Composer:
Élisapie
Producer:
Marcel Simard
Production Coordinator:
Christine Dugas
Noreen Bélanger
Catherine Lachance
Researcher:
Marquise Lepage
Évangéline De Pas
Martha Flaherty
Julia Bennett
Sculptor:
Looty Pijamini
Sound Engineer:
Claude Beaugrand
Sound Mixer:
Luc Boudrias
Hans Laitres
Sound Recordist:
Poasie Joamie
Chantal Rhéaume
Still Photographer:
Évangéline De Pas
Technical Supervisor:
Richard Cliche
Translator:
Martha Flaherty
Poasie Joamie
Annie Ningeok
Erica Pomerance
Lucie Tapardjuk
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.