A work in constant progress (and occasional regress).
Release Date:
November 28, 2014
Original Title:
Sinfonia da Necrópole
Genres:
Comedy | Music | Romance
Production Companies:
Avoa Filmes
Filmes do Caixote
Production Countries:
Brazil
Ratings / Certifications:
N/A
Runtime: 85
In the city of São Paulo, the routine of gravedigger apprentice Deodato changes when a new working girl arrives at the cemetery. Together, they must re-register the abandoned tombs, but strange events make the apprentice wonder about the consequences of messing with the dead.
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Art Direction:
Fernando Zuccolotto
Assistant Art Director:
Daniele Aldrovandi
Assistant Editor:
Juliano Castro
Assistant Property Master:
Luiza Conde
Assistant Sound Editor:
Tales Manfrinato
Boom Operator:
Guilherme Shinji
Casting:
Alice Wolfenson
Choreographer:
Ramiro Murillo
Colorist:
Rogério Moraes
Costume Design:
Kiki Orona
Dialogue Editor:
Simone Alves
Digital Compositor:
José Marcelo
Nelson Fernandes
Gustavo Schiapim
Lucas Sousa
Digital Imaging Technician:
Raphael Varandas
Director:
Juliana Rojas
Director of Photography:
Flora Dias
Editor:
Manoela Ziggiatti
Executive Producer:
Max Eluard
First Assistant Director:
Daniel Chaia
Foley Artist:
Marco Klein
Foley Editor:
Luana Leobas
Gaffer:
Luiz Paulo Xein
Graphic Designer:
Daniele Aldrovandi
In Memory Of:
Glicério A. Rojas
Makeup Artist:
Doel Sauerbronn
Music Director:
Ramiro Murillo
Original Music Composer:
Marco Dutra
Producer:
Max Eluard
Production Design:
Fernando Zuccolotto
Props:
Daniele Aldrovandi
Screenplay:
Juliana Rojas
Script Supervisor:
Carolina Ghidetti
Second Assistant Director:
Tarsila Araújo
Sound Editor:
Sérgio Abdalla
Fernando Henna
Daniel Turini
Sound Mixer:
Paulo Gama
Gabriela Cunha
Sound Re-Recording Mixer:
Paulo Gama
Sound Recordist:
Raul Jooken Baptista
Thanks:
Caetano Gotardo
Visual Effects:
Vander de Sousa
Visual Effects Supervisor:
Eduardo Amodio
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.