A work in constant progress (and occasional regress).
Release Date:
August 1, 2014
Original Title:
Kesäkaverit
Alternate Titles:
Suveseiklus
Genres:
Comedy
Production Companies:
Solar Films
Production Countries:
Finland
Ratings / Certifications:
FI: K-12
Runtime: 90
25-year-old Iiris and Karoliina have been best friends since childhood. Karoliina has been travelling and living abroad for some years now, but is coming back home for the summer as Karoliina has gotten them a job as waitresses in Hanko, the best summer city in Finland!
Boom Operator:
Jussi Rantala
Jenni Aarniala
Miki Brunou
Vesa Meriläinen
Colorist:
Marko Terävä
Costume Design:
Susanna Moilanen
Digital Imaging Technician:
Juho Räsänen
Director:
Inari Niemi
Director of Photography:
Daniel Lindholm
Editor:
Hanna Kuirinlahti
Executive Producer:
Markus Selin
Jukka Helle
First Assistant Camera:
Heikki Slåen
Elina Eränen
First Assistant Director:
Saku Suksi
Foley Artist:
Heikki Kossi
Foley Editor:
Pietu Korhonen
Gaffer:
Jonatan Marila
Grip:
Karri Takala
Olli Kukkonen
Lighting Technician:
Jari Kairamo
Wellu Mikkonen
Location Scout:
Pauli Kairismaa
Makeup Designer:
Hanna Minkkinen
Online Editor:
Ari Rusanen
Original Music Composer:
Joel Melasniemi
Producer:
Oskari Huttu
Jesse Fryckman
Production Assistant:
Emmi Gröhn
Production Coordinator:
Anita Hyppönen
Production Design:
Heini Erving
Production Manager:
Jonna Enroth
Production Secretary:
Ida Kallio
Production Sound Mixer:
Jussi Rantala
Pelle Venetjoki
Mikko Mäkelä
Tuomas Klaavo
Script Supervisor:
Kristiina Salmén
Second Assistant Camera:
Antti Hänninen
Second Assistant Director:
Lena Carlsson
Sound Designer:
Mikko Mäkelä
Sound Editor:
Tuomas Klaavo
Sound Re-Recording Mixer:
Peter Nordström
Writer:
Juuli Niemi
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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