A work in constant progress (and occasional regress).
Release Date:
February 25, 2000
Original Title:
Max Knight: Ultra Spy
Genres:
Action | Fantasy | Science Fiction
Production Companies:
A Cootes & Hayes
Ratings / Certifications:
N/A
Runtime: 86
A master of espionage is hot on the trail of a new kind of computer criminal in this made-for-TV sci-fi action opus. Lindsay (Brooke Harman) is a scientist whose latest discovery in energy transformation has the potential to revolutionize the world; it also attracts the attention of Zachary (Christopher Morris), the leader of a cyber-savvy gang, and Zachary kidnaps Lindsay in order to learn her secrets. Lindsay's sister Ricki (Rachel Blakely) soons becomes concerned about her sister's disappearance, and contacts super sleuth Max Knight (Michael Landes) to find her. As Max searches for Lindsay, he discovers Zachary and his cohorts have strange plans for Lindsay's innovation, which could make it possible for them to leave their bodies and travel wherever they wish through the Internet. (Max Knight: Ultra Spy was released direct-to-video)
Art Direction:
John Wingrove
Associate Producer:
Marc van Buuren
Camera Operator:
Zenon Sawko
Casting:
Joanne Koehler
Tom McSweeney
Cinematography:
Ben Nott
Clapper Loader:
Jamieson Lowe
Darcy Yuille
Creator:
David Michael Latt
Sherri Strain
David Rimawi
Director:
Colin Budds
Editor:
Geoff Lamb
Executive Producer:
Jeffrey M. Hayes
Chip Hayes
Greg Coote
Extras Casting:
Judith Cruden
Fiona McMaster
First Assistant Director:
Jamie Leslie
Focus Puller:
Margie McClymont
Line Producer:
Sharon Miller
Music:
Laurie Stone
Garry McDonald
Producer:
Darryl Sheen
Production Design:
Eugene Intas
Production Manager:
Basia Plachecki
Second Unit Director of Photography:
Ian 'Thistle' Thorburn
Writer:
Paul Bales
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.