A work in constant progress (and occasional regress).
Release Date:
August 19, 2014
Original Title:
A Good Man
Alternate Titles:
A Good Man
A Good Man - Gegen alle Regeln
Un buen hombre
Genres:
Action
Production Companies:
Grindstone Entertainment Group
Picture Perfect Corp.
Steamroller Productions
Voltage Pictures
Production Countries:
Romania | United States of America
Ratings / Certifications:
DE: 18 GB: 15 US: R
Runtime: 100
After an illustrious special ops career ends in disaster, Alexander goes off the grid and attempts to lead a quiet life as a handyman at an apartment complex. But when one of his tenants and her family fall under the thumb of a Russian gangster, Alexander is dragged into an all-out war between rival Chinese and Russian gangs; forcing him to not only defend the family, but bringing him face to face with an old foe, and giving him one more chance to reconcile his past.
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Camera Operator:
Alexandru Durac
Liviu Pojoni Jr.
Casting:
Floriela Grapini
Gabi Matei
Construction Coordinator:
Eugen Anghelescu
Costume Design:
Oana Draghici
Dialogue Editor:
Eric Romero
Director:
Keoni Waxman
Director of Photography:
Nathan Wilson
Editor:
Trevor Mirosh
Gaffer:
Stefan Tarzioru
Hairstylist:
Letitia Ghenea
Leadman:
Marius Trandafir
Location Manager:
Doru Stan
Makeup Artist:
Clara Tudose
Makeup Department Head:
John L. Healy
Music:
Brian Jackson Harris
Justin Raines
Michael Wickstrom
Producer:
Phillip B. Goldfine
Production Design:
Dan Toader
Property Master:
Adi Handac
Script Supervisor:
Cleopatra Medvetchi
Second Unit Director of Photography:
Gabriel Kosuth
Set Costumer:
Veronica Belu
Alina Duta
Madalina Pletoianu
Sound Designer:
Peter Mullen
Stunt Coordinator:
Rasvan Puiu
Supervising Sound Editor:
Erick Jolley
Transportation Coordinator:
Marius Stoian
Visual Effects Supervisor:
Aaron McLane
Ken Locsmandi
Writer:
Keoni Waxman
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.