The Hound of the Baskervilles (2002) [N/A]

Release Date:
December 26, 2002

Original Title:
The Hound of the Baskervilles

Alternate Titles:
Sherlock Holmes - Der Hund der Baskervilles
Собака Баскервилей

Genres:
Drama | Mystery | TV Movie | Thriller

Production Companies:
BBC
Isle of Man Film
Tiger Aspect

Production Countries:
United Kingdom

Ratings / Certifications:
GB: 15 

Runtime: 105

Sherlock Holmes and Dr. Watson are called in to unravel a mysterious curse that has plagued the Baskerville family for generations. When Sir Charles Baskerville is found dead, his heir, Sir Henry, begs Holmes to save him from the terrifying supernatural hound that has brought fear and death to his household.

Additional information:

The Search Form


Armorer:
Mark Shelley

Art Direction:
Charmian Adams

Assistant Editor:
Lesley MacKinnon

Camera Operator:
Bob Shipsey

Casting:
Janey Fothergill

Choreographer:
Malcolm Shields

Costume Design:
James Keast

Costume Supervisor:
Sarah Moore

Dialogue Editor:
Becki Ponting

Director:
David Attwood

Director of Photography:
James Welland

Editor:
Paul Tothill

First Assistant Director:
Peter Stenning

Gaffer:
Tony Wilcock

Hairstylist:
Kay Georgiou

Line Producer:
Rupert Ryle-Hodges

Location Manager:
Tony Clarkson

Makeup Artist:
Julia Wilson
Kay Georgiou

Makeup Designer:
Jeremy Woodhead

Makeup Effects:
Josh Weston

Novel:
Arthur Conan Doyle

Original Music Composer:
Rob Lane

Producer:
Christopher Hall

Production Coordinator:
Emily Stillman

Production Design:
Donal Woods

Property Master:
Mike Power

Screenplay:
Allan Cubitt

Script Editor:
Christopher Aird

Script Supervisor:
Karen Savage

Sound Editor:
Ian Wilkinson

Sound Effects Editor:
Lee Crichlow

Special Effects Supervisor:
Mark Holt

Stunt Coordinator:
Nrinder Dhudwar

Title Designer:
Hugo Moss

Visual Effects Coordinator:
Simon Whalley

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.