A work in constant progress (and occasional regress).
Release Date:
August 7, 1962
Original Title:
The Wonderful World of the Brothers Grimm
Alternate Titles:
Die Wunderwelt der Brüder Grimm
Genres:
Comedy | Family | Fantasy | Music
Production Companies:
Bavaria Film
Cinerama Productions
Metro-Goldwyn-Mayer
Production Countries:
Germany | United States of America
Ratings / Certifications:
US: G
Runtime: 140
The Grimm brothers Wilhelm and Jacob, known for their literary works in the nineteenth century, have their lives dramatized. Wilhelm fights to write something entertaining amongst the sea of dry, non-fiction books they write and he sets about collecting oral-tradition fairy tales to put into print. Their life story is countered with reenactments of three of their stories including "The Dancing Princess," "The Cobbler and the Elves" and "The Singing Bone."
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Animation:
Jim Danforth
Tom Holland
Pete Kleinow
David Pal
Don Sahlin
Peter Van Elk
Art Direction:
Edward C. Carfagno
George W. Davis
Assistant Director:
Al Jennings
Choreographer:
Alex Romero
Color Grading:
Charles K. Hagedon
Conductor:
Leigh Harline
Costume Design:
Mary Wills
Director:
Henry Levin
George Pal
Director of Photography:
Paul Vogel
Editor:
Walter Thompson
Hairstylist:
Sydney Guilaroff
Makeup Artist:
John Truwe
Makeup Designer:
William Tuttle
Music:
Leigh Harline
Novel:
Hermann Gerstner
Orchestrator:
Gus Levene
Painter:
Frank Wesselhoff
Producer:
George Pal
Producer's Assistant:
Gae Griffith
Production Coordinator:
Robert R. Snody
Production Supervisor:
Thomas Conroy
Recording Supervision:
Franklin Milton
Screenplay:
David P. Harmon
Charles Beaumont
William Roberts
Screenstory:
David P. Harmon
Set Costumer:
Robert Fuca
Set Decoration:
Henry Grace
Richard Pefferle
Songs:
Bob Merrill
Sound Editor:
Van Allen James
Story:
Jacob Grimm
Wilhelm Grimm
Stunt Double:
Vic Parks
Visual Effects:
Tim Baar
Wah Chang
Robert R. Hoag
Gene Warren
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.