A work in constant progress (and occasional regress).
Release Date:
January 1, 1917
Original Title:
La femme française pendant la guerre
Genres:
War
Production Companies:
Service Cinématographique de l'Armée
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 37
August 1914: wife and mother, woman's first sacrifice is to see her beloved depart for the front. In a city, she works in railway stations,as a waitress or even as a chimney sweep. At the factory, she only interrupts her work to feed her baby. At the country she does the plowing or picks olives. But above all a wife, she brings the soldier "fraternity and tenderness", parcels, love notes and care. She brings flowers to the dead's tombs, and remains ever present in the soldier's heart.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.