A work in constant progress (and occasional regress).
Release Date:
April 2, 1987
Original Title:
Le foto di Gioia
Alternate Titles:
Delirium
Gioia's Photograph
Photo of Gioia
Photos of Joy
Genres:
Horror | Mystery | Thriller
Production Companies:
Dania Film
Devon Film
Filmes International
Medusa Distribuzione
National Cinematografica
Reteitalia
Production Countries:
Italy
Ratings / Certifications:
DE: 18
Runtime: 94
Gioia is a buxom centerfold working for Pussycat magazine. In such a profession, having an admirer or two is expected, but Gioia's admirer is a vicious killer! He murders her fellow magazine models one at a time, using a variety of twisted implements of death. Gioia is the lucky recipient of a collection of photos, each with murdered bodies arranged around posters of her.
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Assistant Camera:
Stefano Falivene
Federico Martucci
Assistant Costume Designer:
Claudia Allione
Silvia Frattolillo
Assistant Director:
Roy Bava
Assistant Editor:
Emanuela Di Giunta
Boom Operator:
Giuliano Piermarioli
Camera Operator:
Guido Tosi
Casting:
Roy Bava
Costume Design:
Valentina Di Palma
Nicoletta Ercole
Director:
Lamberto Bava
Director of Photography:
Gianlorenzo Battaglia
Editor:
Mauro Bonanni
Executive Producer:
Massimo Manasse
Marco Grillo Spina
First Assistant Editor:
Teresa Negozio
Gaffer:
Domenico Caiuli
Key Grip:
Franco Micheli
Makeup Artist:
Rosario Prestopino
Gilberto Provenghi
Maurizio Silvi
Music Producer:
Vincent Messina
Original Music Composer:
Simon Boswell
Producer:
Luciano Martino
Production Assistant:
Marina Girolami
Production Design:
Massimo Antonello Geleng
Production Manager:
Francesco Fantacci
Production Secretary:
Marino Girolami
Props:
Roberto Granieri
Screenplay:
Gianfranco Clerici
Daniele Stroppa
Script Supervisor:
Patrizia Zulini
Seamstress:
Angela Vinci
Second Assistant Director:
Roberto Palmerini
Sound:
Tullio Arcangeli
Raffaele De Luca
Sound Effects Editor:
Tullio Arcangeli
Sotir Gjika
Roberto Sterbini
Still Photographer:
Francesco Narducci
Story:
Luciano Martino
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.