A work in constant progress (and occasional regress).
Release Date:
February 1, 1995
Original Title:
Cyber Vengeance
Alternate Titles:
Cyber Vengeance: Das tödlichste Spiel der Zukunft
Nexxus
Virtuel Hell
Απόδραση από τον Κυβερνοχώρο
Genres:
Action | Science Fiction
Production Companies:
Second Alarm Film Partnership
Sultan Productions
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 90
In the year 2005, the prison system has been completely privatized and cyber prisons have become the new means for housing the guilty. The bodies of inmates are kept in suspended animation while their minds are kept in a virtual reality prison. Business tycoon R.D. Crowley has found a way to capitalize on these virtual prisons by allowing rich men to pay in order to engage in a form of virtual reality hunting that has real-life consequences for the inmates. Will, a guard at one of these prisons, soon finds himself coerced into one of these virtual cat and mouse games. Armed with his knowledge of history, along with his expert skills in VR combat, Will must work with the inmates in order to save their lives and escape from the prison before it's too late.
Casting:
Paul Borghese
Co-Producer:
John Weiner
Tim Bernard
Director:
J. Christian Ingvordsen
Director of Photography:
Matthew M. Howe
Editor:
Duncan Pettigrew
Executive Producer:
Gary L. Zwerling
C. Steven Duncker
Alan M. Solomon
Music:
Gary Topper
Producer:
J. Christian Ingvordsen
Production Design:
Lisa Frantz
Story:
J. Christian Ingvordsen
Stunt Coordinator:
J. Christian Ingvordsen
Writer:
John Weiner
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.