Fried Shoes Cooked Diamonds (1979) [NR]

Gallery Unavailable

Featuring:
Amiri Baraka, William S. Burroughs, Gregory Corso

Directed by:
Costanzo Allione


Release Date:
October 1, 1979

Original Title:
Fried Shoes Cooked Diamonds

Genres:
Documentary

Ratings / Certifications:
US: NR 

Runtime: 56

After World War II a group of young writers, outsiders and friends who were disillusioned by the pursuit of the American dream met in New York City. Associated through mutual friendships, these cultural dissidents looked for new ways and means to express themselves. Soon their writings found an audience and the American media took notice, dubbing them the Beat Generation. Members of this group included writers Jack Kerouac, William Burroughs, Allen Ginsberg. a trinity that would ultimately influence the works of others during that era, including the "hippie" movement of the '60s. In this 55-minute video narrated by Allen Ginsberg, members of the Beat Generation (including the aforementioned Burroughs, Anne Waldman, Peter Orlovsky, Amiri Baraka, Diane Di Prima, and Timothy Leary) are reunited at Naropa University in Boulder, CO during the late 1970's to share their works and influence a new generation of young American bohemians.

FRIED SHOES COOKED DIAMONDS documents a gathering of Beat Generation figures (Allen Ginsberg, William S. Burroughs, Gregory Corso, Amiri Baraka, and more), plus some non-Beats such as Meredith Monk and Miguel Pinero, at the Jack Kerouac School of Disembodied Poetics at Naropa Institute in Boulder, Colorado. They give readings to audiences, converse with each other, and Ginsberg performs a couple of songs. They leave campus for an anti-nuclear protest at Rocky Flats, where they read more poetry.Naturally, this documentary won't be of much importance to you if you aren't interested in any of the figures involved. If you are a Beat Generation fan, you will enjoy the chance to watch them interact with each other, and hear their spoken-word performances. Conversations revolve around the expected topics, such as literary composition and politics. The politics are not monolithic, ranging from Baraka's opposition to capitalism to Burroughs's opposition to Marxism. Best of all is hearing the poetry performed aloud, really the way it was meant to be experienced, rather than just eyeballed on a page. Unfortunately, most of the Beats are no longer around to give readings, so we only have recordings and films like this to give us the full impact.FRIED SHOES COOKED DIAMONDS is nothing like a comprehensive overview of the movement; it is a documentation of a particular moment in time, when the writers were no longer young scandalizers but were beginning to find their niche in academia, and attract young followers of their own. It's under an hour, and hard to find as of this writing (I saw it on an old Mystic Fire Video VHS), but where else are you going to get to see Anne Waldman in a bikini?

Additional information:

The Search Form


Rankings and Honors

Fried Shoes Cooked Diamonds (1979) on IMDb
Internet Movie Database 6.9/10

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.