A work in constant progress (and occasional regress).
Release Date:
March 5, 2011
Original Title:
Carmen in 3D
Alternate Titles:
Carmen In 3D
Genres:
Drama | Music
Production Companies:
Principal Large Format
Royal Opera House
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 170
Passion, jealousy and betrayal take center stage at Londons Royal Opera House in a spectacular production of the worlds most popular opera. Bizets Carmen is packed with some of the best-loved and memorable music in all of opera. In this characteristically vivid and vibrant stage production by Francesca Zambello, beautifully filmed in 3D by Julian Napier, Seville is brought to life with ranks of soldiers, crowds of peasants, gypsies and bullfighters as well as a magnificent horse, a donkey and even some chickens! This spectacular RealD and Royal Opera House production features a supremely talented cast, gripping drama and Bizets energetic and passionate score. It is truly a musical event to remember!
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Assistant Editor:
Masa Skalec
Carpenter:
David Creed
Barry Abbot
Choreographer:
Arthur Pita
Colorist:
Dado Valentic
Conductor:
Constantinos Carydis
Director:
Julian Napier
Director of Photography:
Sean MacLeod Phillips
Editor:
Julian Napier
Stroo Oloffson
Executive Producer:
Michael V. Lewis
First Assistant Camera:
Roger Bowles
Foley Artist:
Niall David Collins
Brian Eimer
Grip:
Peter Muncey
Matthew Budd
Alex Mott
Jason Edwards
Daniel Hegarty
Daniel Tabner
Colin Brown
Health and Safety:
Clem Leneghan
Lighting Design:
Paule Constable
Line Producer:
Tim Wellspring
Location Manager:
Charlotte Wright
Makeup & Hair:
Jo Grover
Original Music Composer:
Georges Bizet
Producer:
Phil Streather
Production Accountant:
Richard McNeill
Production Coordinator:
Hannah Collett
Production Design:
Tanya McCallin
Production Runner:
Benjamin Hutton
Script Supervisor:
Claire Mathias
Steadicam Operator:
Dominic Jackson
Still Photographer:
Oliver Upton
Unit Production Manager:
Tim Wellspring
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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