A work in constant progress (and occasional regress).
Release Date:
October 24, 1999
Original Title:
The Soul Collector
Genres:
Drama | Fantasy | Romance | TV Movie
Production Companies:
Brayton-Carlucci Productions
Hearst Entertainment Productions
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 93
Zachariah, makes a few mistakes and it is decided that he is to live as a human being for thirty days. Mordecai is his supervisor. Rebecca's husband died and Zachariah the soul collector, or, the angel of the death helped him to make the transition between heaven and earth. There are some complications with Rebecca's farm and Zachariah helps her out.
Associate Producer:
Larry Grimaldi
Casting:
Susan Edelman
Jo Edna Boldin
Mary V. Buck
Colorist:
Diane LeDesma
Costume Design:
Michael T. Boyd
Director:
Michael M. Scott
Director of Photography:
Don E. FauntLeRoy
Editor:
Andrew London
Executive Producer:
Anne Carlucci
Marian Brayton
First Assistant Director:
Robert J. Wilson
Gaffer:
Robert Driskell
Grip:
Kurt Kornemann
Hairstylist:
Melissa Forney
Kelly Nelson
Key Grip:
Ferrell A. Shinnick
Key Production Assistant:
Elana Wakeman
Key Set Costumer:
Leeann Radeka
Location Manager:
Eric A. Williams
Makeup Artist:
Carla Palmer
Music:
Dan Foliart
Music Editor:
Brenda Heins
Novel:
Kathleen Kane
Production Coordinator:
Cynthia Streit
Production Design:
Cary White
Production Sound Mixer:
Stacy Brownrigg
Script Supervisor:
Pam Fuller
Second Assistant Director:
Brian O'Kelley
Set Decoration:
Jeanette Scott
Set Dresser:
Shane Patrick
Sound Re-Recording Mixer:
Thomas J. Huth
Andre Caporaso
David M. Weishaar
Still Photographer:
Bill Matlock
Stunt Coordinator:
Fred Lerner
Supervising Producer:
Joyce Heft Brotman
Supervising Sound Editor:
Vince Gutierrez
Teleplay:
Joyce Heft Brotman
Visual Effects Supervisor:
Sam Nicholson
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.