A work in constant progress (and occasional regress).
Release Date:
March 16, 2014
Original Title:
Dear Viola
Alternate Titles:
Courrier du coeur
Genres:
Comedy | Romance | TV Movie
Production Companies:
Entertainment One Television
UP Entertainment
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 87
Katie, a shy newspaper accountant submits a reply to a "Dear Viola" letter to the editor that she works for, anonymously. She has a real knack for writing to people and getting to the heart of the matter. Soon, she takes over the newspaper's advice column and falls in love with one of her correspondents. The whole town becomes involved in the romantics.
"A" Camera Operator:
Russ Goozee
"B" Camera Operator:
Martin Brown
ADR Recordist:
Pino Halili
Art Direction:
Glen Charles Landry
Assistant Dialogue Editor:
Beni Harper
Assistant Director Trainee:
Elaine Chan
Jennifer Thiffault
Assistant Location Manager:
Steve Tabachnik
Best Boy Electric:
Aaron Wilcox
Best Boy Grip:
Ben Dundas
Boom Operator:
Gregory Moneta
Camera Trainee:
Jordan Woodward
Cast Driver:
Landon Ramirez
Joseph Wolfond
Ted Graham
Keith Cole
Casting:
Shana Landsburg
Casting Associate:
Sheena Clowater
Casting Director:
Larissa Mair
Colorist:
Mila Patriki
Costume Designer:
Dawn Thompson
Costume Set Supervisor:
Kristin Lapensee
Costume Supervisor:
Kristin Lapensee
Craft Service:
Yohance Quashie
Data Management Technician:
Khaled Sabbour
Director:
Laurie Lynd
Director of Photography:
Russ Goozee
Editor:
Charlotte Disher
Electrician:
Marcus Paletta
Stuart Wells
Ben Kelly
Jim Neill
Executive Producer:
John Morayniss
Kellie Martin
Ira Pincus
Kathleen McGhee-Anderson
Lee Rose
Extras Casting:
Maureen Evans
First Assistant "A" Camera:
Blain Thrush
First Assistant Director:
Alan Goluboff
First Assistant Editor:
James Young
Foley Artist:
Heather Pipe
Foley Mixer:
Ryan MacNeill
Gaffer:
Nelson Rogers
Generator Operator:
Jim Neill
Key Grip:
Jonathan Yapp
Key Hair Stylist:
Raquel Atienza
Key Makeup Artist:
Raquel Atienza
Location Manager:
Craig Gradwell
Location Production Assistant:
Christian Crosthwaite
Makeup & Hair Assistant:
Stella Margaritis
Sarah Craig McEathron
Trina Brink
Online Editor:
Colin Carter
Original Music Composer:
Justin Rutledge
Steve O'Connor
Post Production Supervisor:
Sean Frewer
Producer:
Betty Orr
Margaret O'Brien
Production Accountant:
Paul Zonneveld
Production Coordinator:
Max Wolfond
Production Design:
Brian Verhoog
Production Manager:
Ashley Torgis
Property Master:
Maggy Monceaux
Script Supervisor:
Brad Wetherly
Second Assistant "A" Camera:
Michael Yablonski
Second Assistant Director:
Aric Dupere
Set Decoration:
Julian Peters
Set Decoration Buyer:
Bert Kirkham
Set Dresser:
Mike Bernardo
Sound Effects Editor:
Alexis Eskandari
Steven Ejbick
Sound Mixer:
Brian Newby
Sound Re-Recording Assistant:
Josh Brown
Sound Re-Recording Mixer:
Allen Ormerod
Shaun Gratto
Studio Teacher:
Laurel Bresnahan
Supervising Producer:
Jonathan Schwartz
Supervising Sound Editor:
Pino Halili
Teleplay:
Lee Rose
Kathleen McGhee-Anderson
Third Assistant Director:
Jason Bourke
Transportation Captain:
Connor Gross
Transportation Coordinator:
Marco Iaboni
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.