A work in constant progress (and occasional regress).
Release Date:
September 26, 2014
Original Title:
Playing It Cool
Alternate Titles:
A Many Splintered Thing
Como Seduzir uma Amiga
Playing it Cool - Irgendwann erwischt es jeden
Tra le righe dell'amore - Playing It Cool
Genres:
Comedy | Romance
Production Companies:
Voltage Pictures
Wonderland Sound and Vision
Production Countries:
United States of America
Ratings / Certifications:
BG: C BR: 14 DE: 12 FR: 12 KR: 청소년 관람 불가 RO: 18 SE: 15 TH: 15 US: R
Runtime: 94
A young man meets and instantly falls in love with an engaged woman.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Mixer:
Tami Treadwell
Ron Bedrosian
Greg Steele
ADR Supervisor:
Ruth Adelman
Additional Editor:
Lara Khachooni
Art Department Assistant:
Michelle Waring
Art Department Coordinator:
Julie Hook
Assistant Chief Lighting Technician:
Luke Kalarickal
Assistant Editor:
Perri Pivovar
Elana Joy Livneh Lessem
Assistant Location Manager:
Mike Barry
Javier Robles
JT Panzarella
Assistant Production Coordinator:
Traci Tateyama
Assistant Property Master:
Héctor B. López
Boom Operator:
Tim Song Jones
Camera Operator:
Timothy Roarke
Casting:
Justine Arteta
Kim Davis-Wagner
Casting Assistant:
Freya Krasnow
Chief Lighting Technician:
Bobby Wotherspoon
Co-Executive Producer:
Jon Poll
Co-Producer:
Dominic Rustam
Chris Shafer
Corrie Rothbart
Paul Vicknair
Colorist:
Rob Sciarratta
Costume Designer:
Beth Pasternak
Costume Supervisor:
Hana Rausalova
Craft Service:
Eric Wills
Dialogue Editor:
Charlie Kolander
Director:
Justin Reardon
Director of Photography:
Jeff Cutter
Dolly Grip:
Michael Orr
Editor:
Catherine Haight
Electrician:
Juan Barroso
Wadsworth Peters
Executive Producer:
Chris Evans
Nicolas Chartier
Extras Casting:
Debe Waisman
First Assistant "A" Camera:
Daniel Hanych
First Assistant "B" Camera:
Seth A. Peschansky
First Assistant Camera:
John Waldo
First Assistant Director:
Rod Smith
Foley Artist:
G.W. Pope III
Vincent Guisetti
Foley Editor:
Leobardo Ledon
Foley Mixer:
Geordy Sincavage
Grip:
Deepak Whitesides
Brenden "Snake" Craighill
Hair Department Head:
Charlotte Parker
Key Costumer:
Adrienne Greshock
Debbie Travis
Key Grip:
William Buckingham III
Line Producer:
Bruce Wayne Gillies
Location Manager:
Paul Codiga
Makeup Department Head:
Deborah Rutherford
Music Supervisor:
Gabe Hilfer
Kevin J. Edelman
Original Music Composer:
Jake Monaco
Post Production Supervisor:
Kelley Cribben
Larry Ferguson Jr.
Producer:
Craig J. Flores
Nicolas Chartier
McG
Mary Viola
Production Coordinator:
Charissa McLain
Production Design:
Patrick Lumb
Production Supervisor:
Jennifer Haire
Property Master:
Gregory R. Wolf
Props:
Greg Manke
Screenplay:
Chris Shafer
Paul Vicknair
Script Supervisor:
Liz Trainor
Second Assistant "A" Camera:
Seth Kotok
Second Assistant Director:
Jasmine Marie Alhambra
Second Second Assistant Director:
Casey Mako
Set Costumer:
Unchin Lee
Steve Constancio
Set Decoration:
Lisa Clark
Set Dresser:
Myles Lumb
Patrick Lumb
Douglas Woods
Yoel Ancieta
Sound Designer:
Aaron Levy
Sound Editor:
Alexandra Fehrman
Sound Effects Editor:
Steve Papagiannis
Sound Mixer:
Pawel Wdowczak
Sound Re-Recording Mixer:
Sean Garnhart
Tom Paul
Sound Supervisor:
Alexandra Fehrman
Aaron Levy
Special Effects Coordinator:
John C. Hartigan
Beverley Hartigan
Steadicam Operator:
Gavin Ames
Still Photographer:
Daniel C. McFadden
Storyboard Artist:
Justin Reardon
Studio Teacher:
Phil Eisenhower
Stunt Coordinator:
Andy Cheng
Supervising Sound Effects Editor:
Chad J. Hughes
Transportation Captain:
Matthew Ballard
Unit Production Manager:
Bruce Wayne Gillies
Utility Sound:
Michael Krikorian
Visual Effects Coordinator:
Simone Metzger
Visual Effects Supervisor:
Vico Sharabani
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.