A work in constant progress (and occasional regress).
Release Date:
August 10, 2001
Original Title:
American Pie 2
Alternate Titles:
American Pie 2 - La segunda vez es mejor
American Summer Story
American pie 2: Tu segunda vez es mejor
Amerikanski paĭ 2
Amerikanskiy pirog 2
Američka pita 2
Amerykansʹkyy pyrih 2
Prci, prci, prcičky 2: Pikantné pokušenie
Genres:
Comedy | Romance
Production Companies:
Liveplanet
Universal Pictures
Zide-Perry Productions
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ BE: 16 BR: 14 CH: 16 CZ: 15+ DE: 12 DK: A ES: 18 FI: S FR: 12|16 GB: 15 HU: 18 IE: 18 IT: VM14 KR: 18 MX: C NL: 12 NO: 15 PL: 12 PT: M/16 RO: 15 RU: 16+ US: R
Runtime: 108
After a year apart - attending different schools, meeting different people - the guys rent a beach house and vow to make this the best summer ever. As it turns out, whether that will happen or not has a lot to do with the girls. Between the wild parties, outrageous revelations and yes, a trip to band camp, they discover that times change and people change, but in the end, it's all about sticking together.
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ADR Editor:
Norval D. Crutcher III
ADR Mixer:
Dylan A. Flores
ADR Recordist:
Jeanette Browning
ADR Supervisor:
Bob McNabb
ADR Voice Casting:
Caitlin McKenna
Accountant:
Terri Greening
Additional Editing:
Ken Morrisey
Additional Hairstylist:
Margie Puga
Additional Music:
Arnaud Gauthier
Additional Second Assistant Camera:
Nicholas Davidoff
Egor Davidoff
Apprentice Sound Editor:
Lee Gilmore
Art Department Coordinator:
Amanda Evans
Art Department Production Assistant:
David Harari
Art Direction:
Kitty Doris-Bates
Assistant Accountant:
Elizabeth Bartolotta-Clark
Assistant Editor:
Justin Bourret
Assistant Hairstylist:
Linda Trainoff
Assistant Location Manager:
Ted Bayard
Assistant Makeup Artist:
Joely Upchurch
Assistant Production Coordinator:
Kate Kelly
Assistant Property Master:
David Clark
Assistant Sound Editor:
Samuel Webb
Associate Producer:
Stefanie Franke
Best Boy Electric:
Jeff Barco
Best Boy Grip:
Tom Connell
Boom Operator:
Brent Brewington
Camera Loader:
Douglas S. Johnson
Camera Operator:
Eric J. Goldstein
Carpenter:
Archie Hankins
Cole Young
Casting:
Michelle Morris-Gertz
Joseph Middleton
Casting Assistant:
Kendra Carter
Casting Associate:
Dena Berman
Co-Producer:
Chris Bender
Jane Bartelme
Color Timer:
Matvey Shatz
Colorist:
Dave Lee
Construction Coordinator:
John Stone
Costume Design:
Alexandra Welker
Costume Supervisor:
David Swope
Costumer:
Julie Lynn Ebin
Craft Service:
C.J. Hakeem
Dialogue Editor:
Walter Spencer
Digital Compositors:
Lloyd Lee Barnett
Director:
J.B. Rogers
Director of Photography:
Mark Irwin
Dolly Grip:
Darryl Humber
Driver:
Christian Ervin
Editor:
Larry Madaras
Stuart H. Pappé
Editorial Production Assistant:
Michael Gagliano
Electrician:
Ed Bernstein
Executive Assistant:
Patrick Corcoran
Executive Producer:
Chris Weitz
Adam Herz
Paul Weitz
First Assistant "A" Camera:
Gary Katsuya Ushino
First Assistant "B" Camera:
Jeffrey N. Civa
First Assistant Camera:
Marc Brown
First Assistant Director:
Marco Black
First Assistant Editor:
Melissa Remenarich
Foley Editor:
Marilyn Graf
Foley Recordist:
Linda Lew
Gaffer:
John W. Yowler
Greensman:
Mark David Kersey
Grip:
Matthew Livingston
Hair Department Head:
Vicky Phillips
Hairstylist:
Wendy Martin
Key Grip:
Rocky Ford
Kevin Kennedy
Key Rigging Grip:
John Warner
Leadman:
Brent Rice
Lighting Technician:
Samantha Bahramian
Location Manager:
Deborah Laub
Location Scout:
France Myung Fagin
Makeup Artist:
Roxy D'Alonzo
Makeup Department Head:
Leslie Sebert
Marine Coordinator:
Matthew H. O'Connor
Music Coordinator:
Jojo Villanueva
Music Editor:
Charles Martin Inouye
Music Supervisor:
Gary Jones
Musician:
Michelle Branch
Negative Cutter:
Mary Nelson
On Set Dresser:
Peggy Casey
Orchestrator:
David Lawrence
Original Music Composer:
David Lawrence
Other:
Melissa House
Painter:
Derrick Harper
Payroll Accountant:
Mark Mayer
Picture Car Coordinator:
Cyril O'Neil
Pilot:
Ray McCort
Post Production Accountant:
Lisa Furia
Post Production Assistant:
Sarah de Sa Rego
Post Production Supervisor:
Frank Cuomo
Producer:
Chris Moore
Warren Zide
Craig Perry
Production Accountant:
John Catron
Production Assistant:
Jason Altieri
Production Coordinator:
Gabrielle Wallack
Production Design:
Richard Toyon
Production Illustrator:
Andy Friend
Production Secretary:
Stacee E. Depalo
Property Master:
Scott Buckwald
Propmaker:
Jeff Plauster
Publicist:
Deborah Simmrin
Rigging Gaffer:
Lon Caracappa
Rigging Grip:
Randy Kutcher
Rotoscoping Artist:
Rene Clark
Screenplay:
Adam Herz
Script Supervisor:
Sherry Gallarneau
Second Assistant "B" Camera:
Mark J. Coyne
Second Assistant Camera:
Chris Friebus
Second Assistant Director:
Stephen V. Johnson
Second Second Assistant Director:
Michelene Mundo
Second Unit Director:
Rick Barker
Set Decoration:
Karen Agresti
Set Designer:
Drew Kinney
Set Dresser:
Mark Andresen
Set Medic:
Lonnie Johnson
Set Production Assistant:
Jeremiah Kent
Sound Editor:
Gary S. Gerlich
Sound Re-Recording Mixer:
Chris Carpenter
Sound Recordist:
Bill Meadows
Sound mixer:
Jonathon 'Earl' Stein
Special Effects Coordinator:
Alan E. Lorimer
Special Effects Supervisor:
Wayne Rose
Stand In:
Ryan Keating
Standby Painter:
Derrick Harper
Steadicam Operator:
Mark Van Loon
Still Photographer:
Vivian Zink
Story:
David H. Steinberg
Stunt Coordinator:
Brad Martin
Stunts:
Clay Cullen
Darrin Prescott
Brian Avery
Chris O'Hara
Clayton J. Barber
Mike Gunther
Peter Stader
Todd Schneider
Rick LeFevour
Supervising Sound Editor:
Richard LeGrand Jr.
Title Designer:
Jay Johnson
Transportation Captain:
Keith D. Fisher
Transportation Co-Captain:
Don Poole
Transportation Coordinator:
Aaron Skalka
Unit Production Manager:
Daniel M. Stillman
Utility Sound:
Jeffrey Hefner
Video Assist Operator:
Christopher Guyer
Adam Barth
Visual Effects Producer:
Richard Malzahn
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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