A work in constant progress (and occasional regress).
Release Date:
March 19, 2011
Original Title:
The King of Luck
Alternate Titles:
Willie Nelson - The King of Luck
Genres:
Documentary
Production Companies:
Meat House Productions
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 86
Billy Bob Thornton's portrait of country outlaw Willie Nelson melds archival photos, concert footage and anecdotes from family, band mates, and pals Owen Wilson and Kris Kristofferson into an easygoing tour through a storied career.
Additional Photography:
Jordan Dawes
Associate Producer:
Mandy Fason
Business Affairs Coordinator:
Alana Crow
Director:
Billy Bob Thornton
Director of Photography:
Aymeric Montouchet
Afshin Shahidi
Editor:
Carol Martori
Executive Producer:
Bill Gerber
Mark Rothbaum
Michael Minkler
First Assistant Editor:
Jordan Dawes
Graphic Designer:
Brett Novak
Music:
The Cods
Music Editor:
Greg Hayes
J.D. Andrew
Online Editor:
Lance Holte
Post Production Assistant:
Shaun Mazerall
Post Production Consulting:
Patrick Esposito
Post Production Technical Engineer:
Michael A. McCarthy
Producer:
Harve Cook
Kristin Scott
Production Assistant:
Laura Wallgren
Rachel Kieschnick
Sonia Bril Navarro
Researcher:
Jordan Dawes
Charles Mruz
Sound Effects Editor:
David Barbee
Sound Mixer:
Chris Cooper
Mark Weingarten
Supervising Sound Editor:
Mace Matiosian
Title Designer:
Jordan Dawes
Transcriptions:
Sonia Bril Navarro
Visual Effects:
Mike Manzoori
Andrew Furlong
Brett Novak
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.