A work in constant progress (and occasional regress).
Release Date:
August 12, 2018
Original Title:
Lo que podríamos ser
Genres:
Romance
Production Countries:
Mexico
Ratings / Certifications:
MX: B-15
Runtime: 94
A male student begins a torrid affair with his female teacher, but she soon realizes that the relationship won't get them anywhere.
Art Direction:
Santos Moncayo
Assistant Art Director:
Berenice Montero
Luis Martínez
Claudia Mariana Pérez
Assistant Costume Designer:
Astrid Sánchez
Assistant Editor:
Raúl Robles
Best Boy Electrician:
Leonardo Silva Ruiz
Cinematography:
Juan Pablo Ojeda
Costume Design:
Crystal Valencia
Claudia Cristal Valencia Noguez
Director:
Javier Colinas
Editor:
Max Blasquez
Javier Colinas
Executive Producer:
Gustavo Baeza Vila
Alejandro Betancourt L.
First Assistant Camera:
Gustavo Castillón
Dulce Paulina Sánchez Maldonado
First Assistant Director:
Saúl Hernández
Foley:
Gerardo A. Islas
Gaffer:
Oscar González
Hairstylist:
Diego Nishizawa
Lighting Technician:
Giselle Mendoza
Antonio Aguilar
Felipe Serralde TrukuTru
José Torres Santiago
Line Producer:
Jimena L. Arguelles Izaguirre
Location Manager:
Emmanuel Eslava G.
Makeup Designer:
Karen Uhthoff
Music:
Axel Ricco
Sebastian Bell
Music Supervisor:
Herminio Gutiérrez
Producer:
Luis Arrieta
Jimena L. Arguelles Izaguirre
Max Blasquez
Luis Ernesto Franco
Javier Colinas
Production Coordinator:
Pamela Franco
Screenplay:
Luis Ernesto Franco
Javier Colinas
Second Assistant Director:
Adriana Ortiz
Salvador Suárez Obregón
Sound Effects Editor:
Gerardo A. Islas
Sound Recordist:
Iván Cortés Mora
Special Effects:
Max Blasquez
Still Photographer:
Jonathan Espinoza
Unit Manager:
Fernanda Maldonado Domínguez
Unit Production Manager:
Gustavo Baeza Vila
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.