A work in constant progress (and occasional regress).
Release Date:
November 25, 2012
Original Title:
Cesar Millan: The Real Story
Alternate Titles:
National Geographic: Cesar Millan - The Real Story
Genres:
Documentary
Production Companies:
Partisan Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: PG BR: L RO: 12
Runtime: 45
Follow Cesar Millans rise from impoverished illegal immigrant to celebrity dog trainer to international superstar. Join Cesar as he embarks on his live world speaking tour, films his new television series in Spain and leads thousands of dogs and owners on a Pack Walk in Washington, D.C. Cesar reflects on his humble past, his family life and his ever-evolving philosophy, which inspires people to improve their relationships with their dogs while becoming the pack leader of their own lives.
Assistant Editor:
Kara Wayman
Associate Producer:
Adina Pliskin
Camera Operator:
Jerry Risius
Colorist:
Björn Bellenbaum
Coordinating Producer:
Whitney Johnson
Director:
Doug Shultz
Editor:
Andrew Ford
Brett Young
Executive In Charge Of Production:
Geoff Daniels
Executive Producer:
Peter Schnall
Jenny Apostol
Graphic Designer:
Tim D'Amico
Intern:
Aaron Kennison
Sarah M. Baker
Makeup Department Head:
Rita Montanez
Online Editor:
Björn Bellenbaum
Producer:
Doug Shultz
Erica Sashin
Production Coordinator:
Joey Bersack
Production Manager:
David S. Falcone
Researcher:
Susan Kolodziejczyk
Sound Designer:
Brian Beatrice
Sound Mixer:
Brian Beatrice
Sound Recordist:
Mark Henry
Gary Tomaro
Wille Pettersson Berger
Carl Pereira
Juha Potka
Arild Grindheim
Unit Manager:
Krystal Stevens
Writer:
Doug Shultz
Erica Sashin
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.