A work in constant progress (and occasional regress).
Release Date:
June 11, 2010
Original Title:
帰ってきた侍戦隊シンケンジャー 特別幕
Alternate Titles:
Kaettekita Samurai Sentai Shinkenjā: Tokubetsu Maku
Samurai Sentai Shinkenger Returns: Special Act
The Return of Samurai Sentai Shinkenger: Special Act
Genres:
Action | Adventure | Fantasy
Production Companies:
Toei Company
Production Countries:
Japan
Ratings / Certifications:
N/A
Runtime: 50
The film begins with the Shinkengers defeating the Ayakashi Demebakuto. As he assumes his second life, he captures the Shinkengers in mirrors as he sends them into a series of different dimensions (all different film genres) in order make them suffer for his amusement before actually killing them. First, the Shinkengers appear in the jidaigeki Lord's log of Notable Events, fighting a group of samurai, shortly followed by a Western showdown between Genta and Ginshirō, the owner of the rival sushi stand Silver Zushi, over whose food is better in Wild Grip. Then the scene changes again to the cop drama Passionate Version with the vassals as cops while Takeru is being held hostage as the Shinkengers starts to realize that something is wrong.
Action Director:
Hirofumi Ishigaki
Cinematography:
Shingo Osawa
Director:
Takayuki Shibasaki
Music:
Hiroshi Takaki
Original Series Creator:
Saburo Yatsude
Producer:
Takaaki Utsunomiya
Akihiro Fukada
Kazuo Kato
Motoi Sasaki
Takahito Ōmori
Koichi Yada
Screenplay:
Yasuko Kobayashi
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.