A work in constant progress (and occasional regress).
Release Date:
January 1, 1992
Original Title:
Resistance
Genres:
Action | Science Fiction
Production Companies:
Australian Film Commission
Australian Film Finance Corporation
Macau Light Company
Wingjar Pty Ltd
Workers Power Pty Ltd
Production Countries:
Australia
Ratings / Certifications:
N/A
Runtime: 112
Over the five days after a military coup, army troops arrive to enforce martial law and encounter a growing resistance movement.
Armorer:
Brian Burns
Art Department Coordinator:
Ally Henville
Art Direction:
Martin Brown
Camera Operator:
Paul Elliott
Continuity:
Susan Wiley
Director:
Paul Elliott
Hugh Keays-Byrne
Director of Photography:
Sally Bongers
Editor:
Stewart Young
First Assistant Director:
Philip Hearnshaw
First Assistant Editor:
Heidi Kenessey
In Memory Of:
Russell Goodwin
John Walker
Declan Afley
Makeup Artist:
Nikki Gooley
Music:
Davood A. Tabrizi
Music Editor:
Ashley Grenville
Producer:
Pauline Rosenberg
Christina Ferguson
Jenny Day
Production Coordinator:
Susan Wells
Production Design:
MacGregor Knox
Production Manager:
Cathy Flannery
Second Assistant Director:
Vicki Sugars
Set Dresser:
Rebecca Cohen
Prisque Salvi
Sound Designer:
Dean Gawen
Sound Editor:
Paul Huntingford
Rex Watts
Helen Brown
Sound Mixer:
Dean Gawen
Sound Recordist:
Peter Clancy
Special Effects Technician:
Paul Jennings
Stunt Coordinator:
Grant Page
Thanks:
Moya Iceton
Brian Hannant
Phaedon Vass
Matt Carroll
Andrew de Groot
Brian Trenchard-Smith
Ruth Keays-Byrne
Third Assistant Director:
Catherine Griff
Michael Bau
Unit Manager:
Rick Kornaat
Vehicles Coordinator:
Lawrence Woodward
Visual Effects:
Roger Cowland
Wardrobe Supervisor:
Sally Molineaux
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.