A work in constant progress (and occasional regress).
Release Date:
March 19, 1986
Original Title:
The More Things Change...
Production Companies:
New South Wales Film Corporation
Syme International Productions
Ratings / Certifications:
N/A
Runtime: 94
A couple hires a young girl to take care of their son.
Additional Photography:
Peter Bilcock
Art Department Assistant:
Alistair Reilly
Assistant Editor:
Adrian Brady
Assistant Grip:
Stuart Crombie
Ken Connor
Assistant Hairstylist:
Leeanne White
Assistant Makeup Artist:
Leeanne White
Associate Producer:
Greg Ricketson
Best Boy Electric:
Jon Leaver
Boom Operator:
Ray Phillips
Camera Operator:
Dan Burstall
Casting:
Gregory Apps
Clapper Loader:
Louis Puli
Continuity:
Joanne McLennan
Director:
Robyn Nevin
Director of Photography:
Dan Burstall
Editor:
Jill Bilcock
First Assistant Director:
Adrian Pickersgill
Focus Puller:
Barry Helleren
Gaffer:
Brian Adams
Generator Operator:
Kevin Hunt
Hair Supervisor:
Joan Hills
Key Grip:
Paul Ammitzboll
Location Manager:
Leigh Ammitzboll
Location Scout:
Jennie Caruana
Makeup Supervisor:
Joan Hills
Original Music Composer:
Peter Best
Producer:
Jill Robb
Production Accountant:
Belinda Williams
Production Coordinator:
Lynda House
Production Design:
Josephine Ford
Production Manager:
Trish Hepworth
Second Assistant Director:
Hamish McSporran
Set Dresser:
Steven Jones-Evans
Neil Angwin
Sher Marigold
Set Painter:
Colin Burchall
Sound Recordist:
John Phillips
Sound Supervisor:
Roger Savage
Standby Property Master:
John Stabb
Still Photographer:
David Parker
Merryle Johnson
Third Assistant Director:
Simon Rosenthal
Wardrobe Assistant:
Anna McAlister
Wardrobe Supervisor:
Anje Bos
Writer:
Moya Wood
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.