A work in constant progress (and occasional regress).
Release Date:
October 12, 2013
Original Title:
April Apocalypse
Alternate Titles:
Apocalipsis de Abril
Zombie Apocalypse
Zombies - An Undead Road Movie
Апрельский апокалипсис
カリフォルニア・ゾンビ逃避行
워킹데드: 핫 바디
Genres:
Comedy | Horror | Romance
Production Companies:
Arclight Films
Station3
Tarnol Group Pictures
Production Countries:
United States of America
Ratings / Certifications:
BE: BIFFF ES: Sitges Film Festival NL: 16 US: NR
Runtime: 84
Artie is pure bred trailer trash. He has zero ambition, is everyone's favorite punching back at school and bears the burden of his virginity in silence. And then April moves out of the state. She's his best friend and support since kindergarten and the love of his life. Three years later Artie finally has the courage to take to the road and go see April to tell her how he feels about her. One car-crash later Artie wakes up in the middle of the zombie apocalypse. But this time he's not going to hide. Artie's love for April doesn't give him wings, but does give him the courage to hack, slash, punch and kick himself a part towards the girl he loves. Time is of the essence, because that bite on his hand will make the difference between a French kiss and a bite out of April's brains.
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Associate Producer:
Michael Bearden
Reece Thompson
Casting:
Eyde Belasco
Co-Executive Producer:
DeVaughn Nixon
Richard Konigsberg
Co-Producer:
Joseph D. Carella
Costume Design:
Victor A. Sandoval
Director:
Jarret Tarnol
Director of Photography:
Kyle Hartman
Editor:
Joseph D. Carella
Executive Producer:
Peter Block
Dale Wheatley
Lorenzo Eduardo
R.D. Robb
Line Producer:
Bernie Gewissler
Makeup Artist:
Erin Nichols
Rachel Jenkins
Kate Mullin
Original Music Composer:
Michael Bearden
Producer:
Brent Tarnol
Jarret Tarnol
Production Coordinator:
Trina DeMattei
Production Design:
Susannah Lowber
Set Decoration:
Ashley Prikryl
Special Effects Key Makeup Artist:
Dan Gilbert
Special Effects Makeup Artist:
Adam Beesely
Stunts:
James Gregory
Writer:
Brent Tarnol
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.