A work in constant progress (and occasional regress).
Release Date:
February 28, 1992
Original Title:
Memoirs of an Invisible Man
Alternate Titles:
Semmit a szemnek! - Egy láthatatlan ember feljegyzései
隱形怪傑
Genres:
Comedy | Romance | Science Fiction | Thriller
Production Companies:
Alcor Films
Cornelius Productions
Le Studio Canal+
Regency Enterprises
Warner Bros. Pictures
Production Countries:
France | United States of America
Ratings / Certifications:
CZ: U DE: 6 DK: 11 FR: U GB: 12 KR: 18 PT: M/12 SK: 12 US: PG-13
Runtime: 99
After a freak accident, an invisible yuppie runs for his life from a treacherous CIA official while trying to cope with his new life.
"B" Camera Operator:
Richard Turner
ADR Editor:
Holly Huckins
Art Direction:
Bruce Crone
Assistant Accountant:
Jeff Kloss
Jay Roberts
Assistant Chief Lighting Technician:
Don Yamasaki
Alex Rodriguez
Assistant Editor:
Saul Saladow
Reine-Claire
Assistant Location Manager:
Dan Gorman
Assistant Property Master:
Michael Sexton
Steve Blakney
Assistant Sound Editor:
Steven Gerrior
Boom Operator:
Pat Clark
Camera Operator:
David E. Diano
Casting:
Sharon Howard-Field
Casting Associate:
Susan Peck
Chief Lighting Technician:
Gerald Boatright
Color Timer:
Ray Martin
Construction Coordinator:
Bryan Belair
I.J. Van Perre
Construction Foreman:
Doug Rosenberger
Steven Fuller
Ted Harms
Dan Pemberton
Tom Lifsey
Alan J. Meyer
Costume Design:
Joe I. Tompkins
Costume Supervisor:
Roberto Carneiro
Kathy Monderine
Costumer:
Steve Ellsworth
Adrianna Bernard
Anne Polland
Craft Service:
Steve M. Miliotti
Director:
John Carpenter
Director of Photography:
William A. Fraker
Dolly Grip:
Nick Papanickolas
Editor:
Marion Rothman
Executive Producer:
Arnon Milchan
First Assistant "B" Camera:
Ted Chu
First Assistant Camera:
Lex Rawlins
First Assistant Director:
William M. Elvin
Foley Artist:
John Roesch
Katie Rowe
Foley Editor:
Shawn Sykora
Leslie Gaulin
Steve Schwalbe
Foley Supervisor:
Scott D. Jackson
Grip:
John Lubin
Howard Hagadorn
Hairstylist:
John Isaacs
Cheri Ruff
Key Grip:
Marlin Hall
Leadman:
Mike Higelmire
Location Manager:
John Lehane
Lisa Blok-Linson
Makeup Artist:
Rick Sharp
Lee Harman
Music Editor:
Thomas Milano
Negative Cutter:
Donah Bassett
Novel:
H.F. Saint
Original Music Composer:
Shirley Walker
Pilot:
James Deeth
Producer:
Dan Kolsrud
Bruce Bodner
Production Accountant:
Susan Montgomery
Production Coordinator:
Karen Shaw
Production Design:
Lawrence G. Paull
Production Sound Mixer:
James R. Alexander
Property Master:
Edward Aiona
Rigging Gaffer:
Michael Van Woert
Screenplay:
Robert Collector
Dana Olsen
William Goldman
Script Supervisor:
Larry K. Johnson
Second Assistant Camera:
Tim Roe
Second Assistant Director:
Alan Edmisten
Second Second Assistant Director:
Otie Brown
Arlene Fukai
K.C. Hodenfield
Set Decoration:
Rick Simpson
Set Designer:
Elizabeth Lapp
Lauren E. Polizzi
Gerald Sigmon
Sound Editor:
Richard E. Yawn
Kim Secrist
Hector C. Gika
Robert Bradshaw
Anthony Milch
John Kwiatkowski
Glenn Hoskinson
Bruce Fortune
Donald L. Warner Jr.
Sound Effects:
Gary Blufer
John Davis
Sound Re-Recording Mixer:
Greg P. Russell
Elliot Tyson
Robert J. Litt
Special Effects Coordinator:
Gintar Repecka
Larz Anderson
Albert Delgado
Ken Pepiot
Daniel Sudick
Wayne Rose
Still Photographer:
Ron Phillips
Stunt Coordinator:
Jeff Imada
Stunts:
Cheryl Wheeler Duncan
Kurt Bryant
Dick Ziker
Thomas Rosales Jr.
Chuck Picerni Jr.
Troy Brown
Henry Kingi
Gary McLarty
Jeff 'JJ' Dashnaw
Kerrie Cullen
Danny Rogers
John Robotham
Supervising ADR Editor:
Becky Sullivan
Supervising Sound Editor:
John Leveque
Gordon Ecker
Transportation Captain:
Randy Luna
Transportation Coordinator:
Keith Dillin
Unit Production Manager:
Art Seidel
Unit Publicist:
Anne S. Reilly
Visual Effects Camera:
Martin Rosenberg
Visual Effects Supervisor:
Bruce Nicholson
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.