A work in constant progress (and occasional regress).
Release Date:
October 12, 2012
Original Title:
Marcelo, la mafia y la estafa
Alternate Titles:
Marcelo, the con and the Rip-off
Genres:
Action | Comedy | Crime
Production Companies:
Excalibur Cine
Production Countries:
Chile
Ratings / Certifications:
N/A
Runtime: 91
Despite disowning his Italian past, Marcelo surprisingly inherits all the debts of his late mafioso “nonno”. Now he must learn from the family business to pay all the money he owes to the Korean and Turkish mafia.
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Art Direction:
Mara Grinbergs
Assistant Costume Designer:
Mai-Lyn Leal Haisang
Assistant Makeup Artist:
Camila Valencia
Associate Producer:
Rodrigo Muñoz Cazaux
Camera Operator:
Andrés Gallegos
Aníbal Herrera
Casting:
Aníbal Herrera
Pilar Zderich
Pablo González
Alejandro Salazar
Matías Vega
Catering:
Mauro Segura
Continuity:
Juan Pablo Díaz
Director:
Aníbal Herrera
Alejandro Salazar
Director of Photography:
Andrés Gallegos
Editor:
Aníbal Herrera
Electrician:
Juan Pablo Espinoza
Sebastián Fernández
Cristóbal Espinoza
Executive Producer:
Matías Vega
Pablo González
Fight Choreographer:
Jorge Hernández
Pablo Santiago
Miguel Ángel de Luca
First Assistant Camera:
Carlos Diaz
First Assistant Director:
Cristián Donoso
Makeup Artist:
Magdalena Bello
Original Music Composer:
Matias Castro
Producer:
Aníbal Herrera
Alejandro Salazar
Second Assistant Camera:
Martín Amézaga
Second Assistant Director:
Nicolle Barrios
Sound:
Rodolfo Sánchez
Sound Assistant:
Marcelo Mora
Special Effects Makeup Artist:
Marco Fuentes
Still Photographer:
Cristián Donoso
Stunt Driver:
Clemente Gimeno
Thanks:
Gonzalo Justiniano
Rocco
M.I. Littin-Menz
Víctor Rojas
Sebastián León
Gonzalo 'Grapín' Bustos
Wardrobe Master:
Gina Franzani
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.