A work in constant progress (and occasional regress).
Release Date:
March 16, 1966
Original Title:
Rembrandt 7 antwortet nicht
Alternate Titles:
Tödlicher Auftrag
Genres:
Adventure
Production Companies:
Ca.Pi Film S.r.l.
Planet-Film Berlin
Ágata Films
Production Countries:
Germany | Italy | Spain
Ratings / Certifications:
DE: 16
A German scientist takes refuge in an unnamed South American country, and finishes the development of a weapon of mass destruction. Lesky, is assistant, is paid by a Chinese spy ring to abduct the scientist, and appropriate the weapon. Super agent Z7's mission is to find them and prevent that, which he does - at a cost of a number of lives.
Assistant Director:
Roberto Bodegas
Assistant Editor:
Giuseppe Romano
Assistant Makeup Artist:
Julián Ortiz
Assistant Production Manager:
Bruno Burani
Serafín García Trueba
Camera Operator:
Mario Sbrenna
Co-Producer:
Erich Mehl
Costume Design:
Giulia Mafai
Director:
Giancarlo Romitelli
Director of Photography:
Guglielmo Mancori
Editor:
Mario Russo
Executive Producer:
Sam Waynberg
First Assistant Camera:
Remo Grisanti
Gaffer:
Enrique de la Jara
Hairstylist:
Adela del Pino
Anna Graziosi
Makeup & Hair:
Thea Boggiatto
Makeup Artist:
Sergio Angeloni
Ricardo Vázquez
Music:
Aldo Piga
Producer:
Aldo Piga
Production Design:
Adolfo Cofiño
Production Manager:
Antonio Martín
Nando Pisani
Cesare Seritti
Fernando Somoza
Production Supervisor:
Flavia Sante Vanin
Property Master:
Ángel Masó
Screenplay:
José Luis Dibildos
Script Supervisor:
Isabella Piga
Second Assistant Camera:
Adolfo Troiani
Set Decoration:
Adolfo Cofiño
Songs:
Mario Russo
Sound:
Bernardino Fronzetti
Special Effects:
Eugenio Ascani
Still Photographer:
Alfio Quattrini
Julio Wizuete
Underwater Camera:
Tommaso Manunza
Visual Effects:
Joseph Nathanson
Wardrobe Master:
Paquita Pons
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.