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The Outing (1987) [R]

Release Date:
September 11, 1987

Original Title:
The Outing

Alternate Titles:
A Guardiã da Lâmpada Maldita
La lampara
La lampe
The Head: Changing Ghost
The Lamp
Το Λυχνάρι του Δαίμονα
ผีเปลี่ยนหัว

Genres:
Horror

Production Companies:
H.I.T. Films
Skouras Pictures
TMS Pictures

Production Countries:
United States of America

Ratings / Certifications:
US: R 

Runtime: 87

They're not coming back.

Overview from TheMovieDB

A group of high schoolers decide to stay in a natural museum after closing hours, but a newly acquired and mysterious lamp hiding a deadly force will turn the fun into horror.

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Additional information:

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Trailer

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Performers

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Production

Animal Wrangler:
Jim Picciolo

Art Designer:
Drew Struzan

Assistant Foley Artist:
Kim Fowler
Duane Hensel

Associate Editor:
Chuck Weiss

Associate Producer:
Deborah Winters

Best Boy Electric:
Dwight Cary
Richard Cromtom

Best Boy Lighting Technician:
Kevin Wadowski

Boom Operator:
Bob Waller

Casting:
D.W. Chaney

Chief Lighting Technician:
Doug Sutton

Construction Manager:
Chuck Singleton

Costume Design:
Rona Lamont

Dialogue Editor:
Earl Watson

Director:
Tom Daley

Director of Photography:
Herbert Raditschnig

Dolly Grip:
Sean Maxwell

Editor:
Claudio M. Cutry

Executive Producer:
Fred T. Kuehnert
Mohammad Sanousi

Extras Casting:
Beverly Wilson-Wilson

First Assistant Camera:
Brown Cooper
Michael Rothenberg

First Assistant Director:
Sanford Hampton
Matt Hinkley

Foley Mixer:
Alan Holly

Gaffer:
Robert Gray
Mark Wells

Grip:
Mike Gilles

Key Grip:
Scott Howell
Glenn Steward

Makeup & Hair:
Ron Clark
Rick Jones

Makeup Effects:
John Blake
Thomas Floutz
Bill Forsche
Brian Wade

Music Coordinator:
Gary Firth

Music Editor:
Frank McKelvey

Music Programmer:
Richard Marvin

Original Music Composer:
Joel Rosenbaum
Bruce Miller

Post Production Coordinator:
Adam Chuck

Producer:
Warren Chaney

Production Assistant:
Beverly Wilson-Wilson

Production Coordinator:
Patricia Balderas
Waverly Evans

Production Design:
Robert A. Burns

Production Illustrator:
Larry Navarro

Production Manager:
Sanford Hampton

Property Master:
Chris Meyer

Rotoscoping Artist:
David Prentis

Script Supervisor:
Paula Barrett-Barbier
Mark S. Thomas

Sculptor:
Bill Forsche

Second Assistant Camera:
Claudia Bailey
Ingo Raditschnig

Second Assistant Director:
Beverly Wilson-Wilson

Second Unit Director:
Warren Chaney

Second Unit Director of Photography:
Scott Smith

Second Unit First Assistant Director:
Kim Fusch

Set Decoration:
John Frick

Sound Designer:
Steve Mann

Sound Editor:
Kevin Hearst
Dan Hegeman
Cathie Speakman

Sound Mixer:
Tim Himes
Bob Waller

Sound Re-Recording Mixer:
Don MacDougall
John L. Mack
Richard Tyler

Special Effects:
Frankie Inez

Special Effects Assistant:
Lesley Chaney
Tom Hartigan

Special Effects Coordinator:
Bettie Kauffman
Christopher Swift

Special Effects Makeup Artist:
John Blake
Thomas Floutz
Bill Forsche
Brian Wade
Gabriel Bartalos
Barbara Anne Bock
Nichael Boggio
Jack Bridwell
Paul Clemens
Jim Gill
Richard Mayone
James McLoughlin
Bart Mixon
John Naulin
Steven Summerfield

Special Effects Supervisor:
Frankie Inez
Frank 'Paco' Munoz

Stand In:
Curtis Herman
Melissa Zoelle

Steadicam Operator:
Randy Nolen
Ralph Watson

Still Photographer:
Roy Alan Wilson

Studio Teacher:
D.W. Chaney

Stunt Coordinator:
Neil Summers

Stunts:
Maeve Crommie
Dick Hancock
Kevin Mazeika
Cherie Sanders
David Sanders

Visual Effects Design Consultant:
Raymond Fielding
David L. Hewitt

Visual Effects Supervisor:
David L. Hewitt

Writer:
Warren Chaney

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.