A work in constant progress (and occasional regress).
Release Date:
April 25, 2014
Original Title:
Absences
Genres:
Documentary
Production Companies:
ONF | NFB
Production Countries:
Canada
Ratings / Certifications:
CA: 14A
Carole Laganière dives deeply into personal territory in this beautifully crafted exploration of absence and loss and its painful effect on daily lives. Inspired by her mother’s steadily advancing Alzheimer’s and the inevitability of her estrangement, Laganière weaves their story with the stories of others wrestling with loss: Ines, an immigrant who returns to her birth country of Croatia to find the mother who abandoned her during the war; Deni, an American author who’s finally able to search for his Quebec roots; and Nathalie, who’s desperately looking for her missing sister. Through their experiences the film ponders how absence is often the catalyst for a quest—a quest for information, understanding and often acceptance. Through its many voices, Absences speaks to us of the immense fragility and resiliency of human emotions.
Additional Camera:
François Vincelette
Carole Laganière
Administration:
Johanne Dubuc
Sia Koukoulas
Administrative Assistant:
Lise Lévesque
Sophie Dupuis
Associate Producer:
Mélanie Lasnier
Cinematography:
Dominic Dorval
Dialogue Editor:
Francine Poirier
Director:
Carole Laganière
Foley:
Lise Wedlock
Graphic Designer:
Mélanie Bouchard
Location Sound Recordist:
Mélanie Gauthier
Richard Lavoie
Louis Léger
Musician:
Mélanie Auclair
Andrew Czerny
Luc Sicard
Online Editor:
Yannick Carrier
Original Music Composer:
Luc Sicard
Producer:
Colette Loumède
Production Assistant:
Perrine Bral
Chris Niesing
Olga Maticevic
Rance Russo
Production Coordinator:
Hélène Regimbal
Researcher:
Myriam Berthelet
Script:
Carole Laganière
Sound Editor:
Claude Beaugrand
Sound Re-Recording Mixer:
Serge Boivin
Still Photographer:
Dominic Dorval
Technical Advisor:
Pierre Dupont
Patrick Trahan
Isabelle Painchaud
Technical Supervisor:
Richard Cliche
Title Designer:
Gaspard Gaudreau
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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