A work in constant progress (and occasional regress).
Release Date:
April 5, 1986
Original Title:
Nobody's Child
Genres:
Drama | TV Movie
Production Companies:
Gaylord Productions
Production Countries:
Canada | United States of America
Ratings / Certifications:
N/A
Runtime: 100
Fact-based drama about the life of Marie Balter, who spent most of her young life in mental institutions. At age 16, she first attempted suicide and the next 20 years she spent in and out of the institutions. At last, a caring doctor started treating her for extreme depression and panic disorder. Weened from strong medications she had taken all her life, at age 36, she emerged for the last time and started a rehabilitation program in the home of a volunteer married couple. There she met a fellow patient with whom she developed a romantic relationship. She also started a college degree. This followed with a long-term professional success in the field of mental health.
Assistant Makeup Artist:
Jo-Anne Smith-Ojeil
Associate Editor:
Cindy Kaplan Rooney
Casting:
Mary Calquhoun
Sid Kozak
Co-Producer:
Milton Justice
Costume Design:
Carol Oditz
Director:
Lee Grant
Director of Photography:
Sven Nykvist
Editor:
Alan Heim
Executive In Charge Of Production:
Stacy Williams
Executive Producer:
Dyson Lovell
First Assistant Director:
Brad Turner
Hairstylist:
Toni-Ann Walker
Donna Bis
Location Manager:
Colleen Nystedt
Makeup Artist:
E. Thomas Case
Linda A. Brown
Original Music Composer:
Michael Small
Post Production Supervisor:
Robert Warmflash
Producer:
Joseph Feury
Production Design:
Keith Hein
Production Manager:
Justis Greene
Script Supervisor:
Jean Bereziuk
Second Assistant Director:
Karen Robyn
Set Decoration:
Della Mae Johnston
Linda Vipond
Sound Editor:
Magdaline Volaitis
Ron Kalish
Sound Mixer:
Claude Hazanavicius
Sound Re-Recording Mixer:
Jack Cooley
Third Assistant Director:
T. W. Peacocke
Writer:
Ara Watson
Mary Gallagher
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.