A work in constant progress (and occasional regress).
Release Date:
April 10, 1994
Original Title:
David's Mother
Genres:
Drama | TV Movie
Ratings / Certifications:
N/A
Runtime: 90
Sally Goodson has been raising her autistic son David alone since her husband left many years ago. Now a social worker discovers that Sally has been dodging 'The System' to keep her son with her, instead of putting him in an institution. Each feels they know what's best for David. But their opinions are not the same. Sally's developing relationship with John Nils is caught in the middle.
Art Direction:
Wendy Morrow
Assistant Editor:
Jennifer Hooper
Casting:
Clare Walker
Reuben Cannon
Co-Producer:
Fran Bell
Costume Designer:
Dona Granata
Director:
Robert Allan Ackerman
Director of Photography:
Walt Lloyd
Editor:
Susan B. Browdy
Executive In Charge Of Post Production:
Paul D. Goldman
Executive In Charge Of Production:
Mel A. Bishop
Executive Producer:
Bob Randall
Jennifer Alward
First Assistant Director:
Don Granbery
Gaffer:
Chris Howard
Hairstylist:
Moira Verwijk
Key Grip:
Bill Heintz
Line Producer:
Clara George
Loader:
Fred Eldridge
Location Manager:
Vince Nyuli
Makeup Artist:
Mary Sue Heron
Music Editor:
Allan K. Rosen
Original Music Composer:
David Mansfield
Producer:
Julian Marks
Producer's Assistant:
Rebecca Price
Production Coordinator:
Linda F. Smith
Production Design:
Tony Hall
Property Master:
Daniel White
Script Supervisor:
Barbara Gordon
Second Assistant Director:
Rocco Gismondi
Set Decoration:
Bruce Mailing
Sound Mixer:
Chaim Gilad
Sound Re-Recording Mixer:
John Asman
David E. Fluhr
Melissa Sherwood Hofmann
Supervising Sound Editor:
Burton Weinstein
Theatre Play:
Bob Randall
Title Designer:
Jeanne Beveridge
Unit Production Manager:
Clara George
Wardrobe Supervisor:
Suzette Daigle
Writer:
Bob Randall
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.