A work in constant progress (and occasional regress).
Release Date:
April 16, 2014
Original Title:
Indigenous
Alternate Titles:
Chupacabras
Kanli Tatil
Prey
Местный [Indigenous]
Genres:
Horror
Production Companies:
Kilburn Media
Production Countries:
United States of America
Ratings / Certifications:
GB: 15 US: R
Runtime: 86
A group of five American friends on the cusp of adulthood travel to Panama to relax and reconnect. They befriend a local woman in their hotel bar—and despite some ominous whispers—she goes against the specific instructions of her brother and brings the Americans on a daytrip into the pristine falls at the nearby jungle. What begins as an innocent outing to a picturesque waterfall quickly turns terrifying after she suddenly goes missing. As night closes in, the friends realize too late the truth behind the rumors—the legendary, blood-sucking Chupacabra is now stalking them.
Assistant Camera:
Jacob Lienau
Alison Ivosevich
CG Supervisor:
Sameet Gupte
Co-Producer:
James Samson
Dialogue Editor:
Angela Hackner
Director:
Alastair Orr
Director of Photography:
Brendan Barnes
Editor:
Alastair Orr
Electrician:
Roberto Corrales
David Gomez Ng
Executive Producer:
Trey Bohn
Matthew Therrell
Bryan O'Reilly
Grip:
Jesús Obando
Makeup Artist:
Catherine Blackman
Myken Wang
Makeup Effects:
David LeRoy Anderson
Online Editor:
Sachin Patidar
Neelkanth Mapara
Original Music Composer:
Giona Ostinelli
Producer:
Mark C. Manuel
Ted O'Neal
Production Coordinator:
Maria Cecilia Arias G.
Production Design:
Jorge Arango
Screenplay:
Max Roberts
Sound Designer:
Richard Adrian
Sound Editor:
Elisha Drons
Sound Effects Editor:
Sean Heissinger
Sound Re-Recording Mixer:
Alexander Gruzdev
Supervising Sound Editor:
Paul Hackner
Visual Effects Coordinator:
Yogita Narsian
Visual Effects Supervisor:
Shailendra Swarnkar
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.