A work in constant progress (and occasional regress).
Release Date:
April 15, 2016
Original Title:
Hillsborough
Genres:
Documentary
Production Companies:
ESPN Films
Passion Pictures
VeryMuchSo Productions
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: M
Runtime: 120
A look at the April 15, 1989 tragedy at Hillsborough Stadium in Sheffield, England, where a stampede in the stadium's standing-room-only areas killed 96 people and injured 766. The film also examines the ongoing efforts of victims' families to seek truth and justice, as well as tangible effects on English football, including stadium upgrades and the emergence of the English Premier League.
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Art Department Assistant:
Felix Treacy
Art Direction:
Fiona Albrow
Assistant Editor:
Luke A. Flight
Boom Operator:
Gary Moore
Casting Director:
Mohsan Qureshi
Colorist:
Ross Baker
Costume Designer:
Lance Milligan
Dialogue Editor:
Tom Williams
Alex Sawyer
Director:
Daniel Gordon
Director of Photography:
Nick Bennett
Editor:
Andy R. Worboys
Andy Worboys
Electrician:
Grant Victory
Executive Producer:
John Battsek
Floor Runner:
Danny Scott-Smith
Will Mcdonagh
Focus Puller:
Steve Marles
Gaffer:
Peter Trevena
Legal Services:
Jonathan Blair
Line Producer:
Lynn Roberts
Location Assistant:
Tom Hooley
Location Manager:
Matthew Whitney
Makeup Artist:
Abigail Graves
Gabrielle Hamilton
Makeup Designer:
Fiona Lobo-Cranston
Online Editor:
Alan Jones
Original Music Composer:
Tim Atack
Post Production Supervisor:
Lauren Jones
Jo Beighton
Ela Uscinska
Producer:
Daniel Gordon
Production Accountant:
Nigel Wood
Production Manager:
Helen Spedding
Production Runner:
Leon Seth
Production Secretary:
Becca Williams
Script Supervisor:
Jane Berry
Stunt Coordinator:
Curtis Rivers
Unit Manager:
Jack Howe
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.