A work in constant progress (and occasional regress).
Release Date:
January 19, 2001
Original Title:
Xchange
Genres:
Science Fiction
Production Companies:
Coolbrook Media
Locomotion Films
Production Countries:
Canada
Ratings / Certifications:
DE: 16 GB: 18 IS: 16 PL: 16 US: R
Runtime: 105
In the near future, a company called Xchange owns a mind transference technology that enables instantaneous travel by swapping bodies with someone at the destination. A member of the privileged corporate class ("Corpie") Xchanging for the first time unwittingly switches bodies with a terrorist. Forced to hide in a limited life span cloned body with just 2 days remaining, he races against time to stop the terrorist and regain his body.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Recordist:
Greg Shim
Bruno Ruffolo
Sina Oroomchi
Art Direction:
Jean-Pierre Paquet
Boom Operator:
Thierry Hoffmann
Costume Design:
Mariane Carter
Director:
Allan Moyle
Director of Photography:
Pierre Gill
Editor:
Dean Balser
Executive Producer:
Denis Martel
Allan Moyle
Mark Amin
Gord Haines
Foley Artist:
John Sievert
Foley Recordist:
Peter Persaud
Music:
Andrew Lockington
Producer:
Jean Desormeaux
Marc S. Grenier
Stephen Ujlaki
Production Design:
André Chamberland
Screenplay:
Christopher Pelham
Léopold St-Pierre
Set Decoration:
Louise Cova
Sound Effects Editor:
Garrett Kerr
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.