A work in constant progress (and occasional regress).
Release Date:
January 16, 1982
Original Title:
最佳拍檔
Alternate Titles:
Aces Go Places I
Aces go Places 1
Jui gaai paak dong
Mad Mission
Mad Mission - Knochenbrecher und Kanonen
Mad Mission: Diamondfinger
Zeoi Gaai Paak Dong
Zuijia Paidang
最佳拍档1:光头神探
最佳拍档之光头神探
최가박당1
Genres:
Action | Comedy
Production Companies:
Cinema City & Films Co.
Production Countries:
Hong Kong
Ratings / Certifications:
DE: 16
Runtime: 93
The police track down a notorious burglar in order to apprehend him. However, he is given a chance to make up for his ways by working with the police on a case involving stolen diamonds.
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Art Direction:
William Chang
Assistant Art Director:
Henry Chung Yau-tim
Julien Young
Mak Hin-Ming
Assistant Director:
Chu Yat-Hung
O Sing-Pui
Ng Hon-Keung
Wong Wan-Choi
Assistant Editor:
Wong Ming-Kong
Camera Department Manager:
Henry Chan
Carpenter:
Lam Shek-Yee
Choreographer:
Eddie De Guzman
Dialogue:
Alexander Lee Chung-Keung
Director:
Eric Tsang Chi-Wai
Director of Photography:
Arthur Wong Ngok-Tai
Paul Yip Pak-Ying
Manny Hoh Ming
Editor:
Tony Chow Kwok-Chung
Effects Supervisor:
Wong Cheuk Poon
Executive Producer:
Dean Shek Tin
Karl Maka
Lighting Technician:
Chow Kim Ming
Makeup Artist:
Chu Ka-Bing
Music:
Sam Hui
Music Score Producer:
Teddy Robin
Producer:
James Lai Wing-Keung
Producer's Assistant:
Tang Chung-Kan
Production Controller:
Dick Cho
Production Coordinator:
林澤光
Production Designer:
Raymond Wong Pak-Ming
Production Office Coordinator:
Guy Lai Ying-Chau
Che Yat-San
Props:
Tam Wing-Cheong
Ciff Chang Chi-Wing
Screenplay:
Raymond Wong Pak-Ming
Script Supervisor:
Lou Wai
Hui Wan
Set Runner:
Tommie Lee Wing-Hung
Sound Recordist:
Kei Wang-Tat
Special Effects Coordinator:
Kevin Chisnall
Still Photographer:
Lee Cheung
Tang Ping-Kwong
Stunt Driver:
Blackie Ko
Stunts:
Gene Grigg
Richard Grigsby
Or Saw Leux
Denver Mattson
Bob Yerkes
珍奇烈
Unit Manager:
Tang Lun
Writer:
Raymond Wong Pak-Ming
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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