A work in constant progress (and occasional regress).
Release Date:
February 1, 1952
Original Title:
Silmät hämärässä
Alternate Titles:
Des yeux dans la pénombre
Die Augen in der Dämmerung
Eyes in the Dark
Ögon i mörkret
Genres:
Crime | Drama | Thriller
Production Companies:
Veikko Itkonen
Production Countries:
Finland
Ratings / Certifications:
FI: K-16
Runtime: 80
A mad writer checks into a hotel. In the window of a opposite building he sees four men and starts to write their life story. Every man is an anonymous person who have done or experienced something irreversible in his life. They end up together to plan a heist.
Director:
Veikko Itkonen
Director of Photography:
Veikko Itkonen
Editor:
Veikko Itkonen
Makeup Artist:
Rakel Linnanheimo
Assi Raine
Original Music Composer:
Heikki Aaltoila
Producer:
Veikko Itkonen
Production Design:
Osmo Osva
Sound:
Ensio Lumes
Writer:
Juha Nevalainen
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.