A work in constant progress (and occasional regress).
Release Date:
February 18, 1980
Original Title:
Der Preis fürs Überleben
Alternate Titles:
A túlélés ára
Cena przeżycia
Ditt pris för att överleva
Il prezzo della vita
Le prix de la survie
Genres:
Drama
Production Companies:
BR
DNS-Filmproduktion
Films 66
Popular Filmproduktion
Production Countries:
France | Germany
Ratings / Certifications:
DE: 12
Runtime: 103
German director Hans Noever shot this crime drama in the U.S. in English, an unusual achievement at this time. The setting is Jefferson City, Missouri, and Joseph Randolph, a VIP in a fictional electronics company, has just gotten the sack. The company bigwigs insist it is simply because of downsizing, but Randolph is not buying it. Enraged, he gets a handgun (this is the U.S.) and shoots five managers to death. Then he turns himself in and is eventually put in a psychiatric hospital by the police. His family suffers a series of tragedies that leave only his daughter to wonder about why her father was committed to an institution. She joins with a visiting reporter from Chicago and another interested man, and all three start digging deeper into the company's history.
Assistant Camera:
Ron Fortunato
Assistant Director:
Alain Wermus
Dirk Petersmann
Ursula Jeshel
Assistant Editor:
Susi Gogel
Silvia Huber
Cinematography:
Kim Schäfermeyer
Co-Producer:
Hans Kaden
Costume Design:
Carol Cox
Anita Müllerschön
Dialogue:
Patrick Roth
Christian Watton
Director:
Hans Noever
Director of Photography:
Walter Lassally
Editor:
Christa Wernicke
Music:
Joe Haider
Producer:
Elvira Senft
Denyse Noever
Michel Piccoli
Molly von Fürstenberg
Production Design:
Toni Lüdi
Production Manager:
Veith von Fürstenberg
Sound:
Ed Parente
Sound Assistant:
Michael Etz
Sound Mixer:
Hans-Dieter Schwarz
Unit Manager:
Dirk Petersmann
Richard Pfannenstiel
Writer:
Hans Noever
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.