A work in constant progress (and occasional regress).
Release Date:
February 13, 1982
Original Title:
L'amour des femmes
Genres:
Drama
Production Companies:
Film et Video Productions
Les Productions Audiovisuelles
TSR
Production Countries:
Switzerland
Ratings / Certifications:
N/A
Runtime: 90
Although there are women in the lives of the three main protagonists -- a middle-aged architect, his construction designer, and a journalist -- the women are not as crucial to the men's search for an identity as the title might suggest. When the three men run into a former professor of the architect and designer, they are inspired by his fanfare and expansive nature. Still in search of solutions to their particular problems, the men head out to visit the professor and get to the bottom of their own issues. Unfortunately, the professor turns out to be more "loco" than otherwise, and the three men watch their hopes burst like a popped balloon -- it seems like their ability to assess human character should now be added to their list of problem spots.
Assistant Editor:
Marianne Monnier
Associate Producer:
Pierre Héros
Bernard Lorain
Raymond Vouillamoz
Boom Operator:
Bernard Chaumeil
Raphaël Biolley
Cinematography:
Hans Liechti
Director:
Michel Soutter
Editor:
Nicole Lubtchansky
Jean-Louis Gauthey
Electrician:
Frédéric Erni
Michel Cugno
Hugues Ryffel
Pierre Martin
First Assistant Camera:
André Simmen
First Assistant Director:
Gérard Ruey
Music:
Patrick Juvet
Producer:
Miguel Stucky
Production Manager:
Edouard Borgatta
Script Consultant:
Madeleine Chapsal
Anne-Marie Miéville
Script Supervisor:
Marianne Schoch
Second Assistant Director:
Pascal Cochin
Sound:
René Sutterlin
Sound Editor:
Didier Periat
Sound Mixer:
René Sutterlin
Still Photographer:
Anne-Marie Miéville
Unit Production Manager:
Patrice Piquilloud
Writer:
Michel Soutter
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.