A work in constant progress (and occasional regress).
Release Date:
January 20, 2011
Original Title:
La vieja de atrás
Genres:
Drama
Production Companies:
Agência Nacional do Cinema - ANCINE
Cinematres
Doménica Films
INCAA
Panda Filmes
Programa Ibermedia
Production Countries:
Argentina | Brazil
Ratings / Certifications:
N/A
Runtime: 115
A lonely and frustrated old woman offers a young student a deal that is difficult to fulfill: a house and food in exchange for a fluid daily conversation.
ADR Recordist:
Vicente D'Elia
Art Direction:
Silvana de la Torre
Assistant Art Director:
Analía Acerbo
Assistant Costume Designer:
Verónica Segal
Assistant Director:
Natalia Hernández
Boom Operator:
Pablo Gamberg
Camera Operator:
Carla Stella
Cinematography:
Carla Stella
Co-Producer:
Beto Rodrigues
Continuity:
Dante Dechecco
Costume Design:
Roberta Pesci
Director:
Pablo José Meza
Dolby Consultant:
Mario Faucher
Editor:
Cláudio Fagundes
Electrician:
Javier Cuello
Daniel Ring
Executive Producer:
Pepe Salvia
Executive Producer's Assistant:
Laura Mara Tablón
First Assistant Camera:
Juan Chechile
First Assistant Director:
Agostina Guala
Foley Artist:
José E. Caldararo
Alejandro de Loredo
Foley Recordist:
Vicente D'Elia
Gaffer:
Facundo Echeguren
Genetator Operator:
Walter Saavedra
Location Manager:
Maxi Hunglinger
Makeup Designer:
Magdalena Piubusque
Music:
Sérgio Rojas
Producer:
Pablo José Meza
Natacha Rébora
Pepe Salvia
Producer's Assistant:
Nicolás Capola
Laura Ponte
Matías Dittmann
Rodrigo Vega
Production Coordinator:
Tatiana Sager
Production Manager:
Esteban Lucangioli
Production Trainee:
Carolina Mariano
Props:
Gabriel Saucedo
Second Assistant Camera:
Mercedes Laborde
Sound Director:
Adriano Salgado
Sound Mix Technician:
Diego Gat
Sound Recordist:
Adriano Salgado
Writer:
Pablo José Meza
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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